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"Fine-Arts" prints on paper
Production time: 1-2 business days
Rear fixing: Mounting option with tacks, tape or adhesive paste (Not supplied)
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
Using the image on a website or on the internet.
| 1001 px | ||
|
1500 px |
| Dimensions of the file (px) | 1001x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
Download immediately upon purchase
This image is available for download with a licence: you can download them at anytime.
Restrictions
All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
This work is an "Open Edition"
Photography,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Artwork's condition The artwork is in perfect condition
- Categories Figurative Landscape
Central Margins - May 7, 17:06:10. Near my home. Structures for function, structures as form, structures as traces, and vegetation between them. Evening—slightly chilly. 自宅近郊にて。. 目的のための構造、造形としての構造、痕跡としての構造、構造と構造の間の植生。. 夕刻、やや肌寒く。 About this artwork: Classification, Techniques & Styles. Figurative. Figurative and colorful painting having taken the liberty...
Central Margins - May 7, 17:06:10
Near my home.
Structures for function, structures as form, structures as traces, and vegetation between them.
Evening—slightly chilly.
自宅近郊にて。
目的のための構造、造形としての構造、痕跡としての構造、構造と構造の間の植生。
夕刻、やや肌寒く。
Near my home.
Structures for function, structures as form, structures as traces, and vegetation between them.
Evening—slightly chilly.
自宅近郊にて。
目的のための構造、造形としての構造、痕跡としての構造、構造と構造の間の植生。
夕刻、やや肌寒く。
Related themes
PhotographySuburban JapanMinimal StructurePerceptual FieldMediated Gaze
Figurative
photography
suburban Japan
minimal structure
perceptual field
mediated gaze
symbolic residue
manmade terrain
quiet materiality
fragment and trace
nonverbal record
ambient impermanence
poetic objectivity
collective memory
phenomenological tension
experimental aesthetics
concept and gesture
visual deviation
structural drift
Central Margins
形しかない。. 他に何もない。. 私には、視覚と認識が後からやってくることもある。. それでも、そこには形しかない。. 他に何もない。. -----. 言語や図像、カテゴリー化の枠組みなしに、意識化された知覚はあり得ない。. 知覚以前の感覚は、兆しとして私たちにもあるだろう。. 見慣れない形は、そこへ案内してくれるかもしれない。. しかし、文化的コードはきっとそれを許さない。知覚を意味へと従属させてしまう。. モネが光と大気の揺らぎをとらえようとしたとき、....
形しかない。
他に何もない。
私には、視覚と認識が後からやってくることもある。
それでも、そこには形しかない。
他に何もない。
-----
言語や図像、カテゴリー化の枠組みなしに、意識化された知覚はあり得ない。
知覚以前の感覚は、兆しとして私たちにもあるだろう。
見慣れない形は、そこへ案内してくれるかもしれない。
しかし、文化的コードはきっとそれを許さない。知覚を意味へと従属させてしまう。
モネが光と大気の揺らぎをとらえようとしたとき、
セザンヌが「感覚の小面」と呼ぶ断片を積み重ねたとき、
カンディンスキーやモンドリアンが対象を徹底して排除し、抽象を成立させたとき──
それはまさに新たな文化的コードの出現だった。
それでも形はそこにある。
ただあるだけ。
-
Nationality:
JAPAN
- Date of birth : 1973
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary Japanese Artists