Carol Shapiro

ESPACE D’ART CONTEMPORAIN

Caravan café

6 rue Dr Rostan

06600 Antibes

04 93 34 29 76




Avant programme


Tissages/signes croisés

Artistes et écrivains contemporains

Œuvres croisées réalisées in situ sur le site de caravancafe-des-arts


Artistes et écrivains présentés :


Teri Alves - Bernard Abril - Michael Baigneaux - Lionel Bascoulard - Daphné Bitchatch - Ben Braktia - François Catrin - Soly Cissé - Chantal Danjou - Marc Williams Debono - Deapfilam - Laurent Dinaut - Dominique Draussin - Michel Escale -Véronique Ferrandis - Serge Olivier Fokua - Alain Freixe - Marie Noelle Fontan - Frédérique Fourquet- Michel Gaudet - Fanny Georges - Camara Gueye - Aissa Green - Mireille Grizzo - Frédéric Hatert - Marc Heddebaux - Pascale Hulin - Florence Jaboulin - Jean-Pierre Joly - Michel Joyard - Dominique Landucci - Nanda Lavaquerie - Daniel Leduc - Nene Martelli - Joanna Mico - Jean Pellencin - Sandra Petrovich - Sylvie Pothier - Stéphane Reymond - Prisca Salomé - Carol Shapiro - Jurgen Schadeberg - Ghisleine Soulier - Geneviève Thélot - Monique Thibaudin - François Thomas -Yves Ughes - Martine Viala - Isabelle Viennois - Bernard Vanmalle - Frédéric Voilley -ZhengXuewu – Caroline Ziolko



Vendredi 27 Mai à partir de 18 h 30



Vernissage


Vendredi 3 Juin – 20

Traversée de Maldoror 47'30. 2004


Images et sons sur quelques fragments des "Chants de Maldoror" de Lautréamont

proposés par Daniel Cassini et Georges Sammut

Réalisation: Georges Sammut

Ce film intitulé "Traversée de Maldoror" n'est pas une tentative d'illustration, d'ailleurs impossible des Chants de Maldoror mais plutôt un libre parcours dans les pages foisonnantes de cette oeuvre devenue culte.

Poésie de l'incandescence, utilisation des fantasmes de l'inconscient, révélation du tragique de la condition humaine avec ou sans Dieu, critique lucide du langage poétique font de Lautréamont un précurseur et un point d'ancrage majeur de la révolution littéraire du xxème siècle.

Vendredi 10Juin 20 h

-Table Ronde/Rencontre avec les plasticiens poètes et écrivains participants à l’exposition - lectures :

Le lacs des signes qui abordera la notion du transculturel qui « assure une traduction d’une culture dans tout autre culture, par le défrichement du sens reliant les différentes cultures, tout en les dépassant. (*) » Cette intervention éclairera la notion de transdisciplinarité, fondatrice de la démarche de Caravan café.

Participation de : Patrick Amoyel, Pr de philosophie, psychanalyste - Richard Barbieri, journaliste Chantal Danjou, écrivain - Jacques Lavigne, plasticien - Daniel Cassini, psychanalyste, scénariste Yves Ughes , poète- Frédéric Voilley, plasticien – Caroline Ziolko, plasticienne photographe, sémiologie des arts visuels

Modérateur : Jean Pierre Joly, psychiatre, psychanalyste, plasticien.

Vendredi 17 Juin 20h

Passage à vide

Acte poétique par France Delville


Vendredi 24 Juin

Présentation des Editions de L’Amourier – Lectures

Avec la participation d’Alain Freixe, Yves Ughes…. ( à confirmer)




(*) (…) Les différentes cultures sont les différentes facettes de l’Humain. Le multiculturel permet l’interprétation d’une culture par une autre culture, l’interculturel - la fécondation d’une culture par une autre culture, tandis que le transculturel assure la traduction d’une culture dans tout autre culture, par le défrichement du sens reliant les différentes cultures, tout en les dépassant.


Basarab Nicolescu – Transdisciplinarité - Manifeste



Trois peintres, une démarche.


Isabelle Viennois procède par retraits successifs, par abandon et évidements, de manière à laisser voir, débarrassée de ses atours formels et théoriques, la trame sous-jacente, celle- là même qui est à la source de toutes les figurations possibles.

Comme à tâtons, Carol Shapiro déterre une strate ensevelie de nous-mêmes, celle où les oppositions cessent, où présence et absence se confondent, où l'être perd ses cohérences.

S'y plonger c'est retrouver l'inobjectivable fonds des choses.

La signification du travail de Frédéric Voilley se trouve au bout de la matière elle-même, et ne relève d'aucune problématique de l'illusion. Ses œuvres, improvisations autant tactiles que visuelles, veulent se soustraire aux schémas de la pensée pour participer directement au réel

voir les derniers travaux et textes sur

Carol shapiro was born on March 17, 1958 with san rafael, California 1966 the Czech painter Rene Sherk initiates it with poetry and with painting 1974 meets the painter Serge Damon who opens to him the doors of his workshop 1978 violonist in several groups of folk. animation of workshops 1988 structures of interior 1989 meets the Belgian photographer Berengère Zambaldi (price of photograph, Arles) division his workshop in Brussels melts the interdisciplinary review alias (arts, sciences, psychoanalysis) collaboration with thinkers, writers, scientists, critical of arts and plastics technicians the workshop of Maurice Mandrile (price of Rome) divides works with the Malek painter who, like Mandrile, contributes to his future orientations towards a daily practice decides to give up journalism to devote himself to painting meets fundamental with the criticism of art France Delville which recognizes its work Auction sale, organized by Ben & nux vomica Salle Miramar, Parcours canes Does Moroz Williams diffuse his work (collectors), Los Angeles Parcours of Arts, Brussels Soutien of Michel Gaudet and Jacques Lepage, criticize art the exposure the ways of the secrecy, organized by France Delville, initiates a new period, another report/ratio with painting and its transmissions? gallery IEM, Antibes Baths Showers, Antibes Lights; Briançon 2002 Spaces Raphael, Nice Galerie Van Heaven, Vallauris 2003 artists against the war - House of Photography Etienne Saint in project Galerie Genesis Charleroi Atelier of the Grasse square

VESTIGES Of A WORLD IN ACTS, WRITINGS? or UFO after the passage of the phantom What a phantom?

With the etymological direction: an appearance. Phantasm, it is similar, it is a rather theatrical organization to constitute under the human?il the energy "objects" perceived like this, that, according to the structure, of the?il, of mood, mood major, mood with the direction where the traditional philosophers wanted to say what in us seeks to contact the things, all these small subtle exchanges which work us and write the book in our place. Sometimes the book emerges, and the artist collects this levelling skin, to deposit it, a such gold sheet, on the material support. Risked operation, in permanent balance and imbalance. If Vinci said that painting is cosa mental, the thought is a free fall stopped in a point of expression, of equation. But one needs for it initially this dangerous diving. The truth, known as Deleuze in Proust and its signs, are never the product of a preliminary goodwill but the result of a violence in the thought. Sometimes soft violence, sometimes dévastatrice. But violence of the meeting. Meets? Not does joining temporary between two worlds, surface fluid, interface, between two dimensions? Irruption of the Other, to dance a turn of salsa? The painting of Carol has this air of track of dance, an imagination which is devoted to unknown figures. "Yes" with what is not yet but can occur, the censure is not invited, the meteorites knows the address, comes to explode, be undulated, harden in new cosmic toys, leaving in the text their ludic commas, contrary to this civil servant of Gogol, of the Coat, which becomes insane to be able to change the accusative into dative. To change a comma, it cannot. It can neither decline, nor to incline? In the painting of carol seems to have thrown itself with the species of non-sense in Carroll, with the childish extravagance of the acrobat of Blade Runer, this transitory person, Réplicante. Transitory touched by Carol, captivated but captivating because it gives their breathing to the things. Transitory tamed by Carol, calmed, in its echo: at certain days, I could shout of horror? what would be this if they heard not the echo but the voice, entrusts Julien Green Carol brings back the plans of little attended zones, that it attends it with naturalness. Everyone knows the effect of the bodies put in opposition with the light, wrote in 1790 Etienne-Louis Boullée. I saw Carol organizing a meeting between lamp, papers, colors, textures, to question what is called the matter. In XIème century the Chinese painter Song Ti posed a silk screen on an old wall stripped plaster to observe the metamorphoses during hours of them. Didn't Vinci forget either to enjoy the visual richness of the spots in the walls, ash, fire, the clouds, mud? In the confused things, said - it, the spirit wakes up with new inventions. What Klee invited to turn over to chaos. And to still quote one these being attentive with flows a little less immediate, Gombrich notices that this way of looking at allows a relaxation of controls, similar to those of the dreams. Did max Ernst also question these zones, it left an incredible succession there contradictory images? The hallucination belongs to revealing, of the echo rooms. What is this thus that the painting if not the temporary face of the things, one of the moments of the moire of reality. Reality? A proposal to be seized, nothing more. And to paint? To engage, one fugitive moment, to listen, obey, find themselves in the deferred action of the discovery. To discover what one "discovered", it is the miracle. There is in fact only of artifice, known as Lacan, it are not other facts that those which the parlêtre recognizes by saying them. If painting is an emergence of "facts" which are the truth of the painter, the verb to make is a Chinese headache, it at the same time means "to create", "to estimate" and "to represent". A whole Genesis. A fact must be known as. "does it Rain?" "Yes, it rains". One enters the human one. The painting of Carol is today a fact, passage fluid between the realization of a thing from a intellectual and moral point of view to the manufacture of a thing from the material and physical point of view. Still two definitions of the verb to make. "Material and physical" coming to mark the impacts of invisible, only world acting at the origin of the phenomenon, it is there that the artist takes care, does not forget to him to remain in catch. Does the painting of Carol register the disturbance of the things, the passage of the wind in the sheets, the layers of particles, the beings born which one cannot reinstate in the matrix? "Material and physical" in the direction of the irreversible time, which acquires a passport because of to be seen. The painters of today are being-questions plus questioners that never, of people of the giddiness. What is this thus here which is named by the blotter decoder of invisible ink? Caligari trapping the blood pH of infiltrated lémures? "Revelation" with the photographic direction "intruders" in the beautiful ordinance of the "reason"?
France Delville

Carol shapiro est née le 17 mars 1958 à san rafael, Californie, vit et travaille à Antibes, France

1966 Le peintre tchèque René Sherk l'initie à la poésie et à la peinture

1974 Rencontre le peintre Serge Damon qui lui ouvre les portes de son atelier

1978 Violoniste dans plusieurs groupes de folk. animation d'ateliers

1988 Architecture d'intérieur



1989 Fonde la revue interdisciplinaire alias (arts, sciences, psychanalyse), travaille sur le thème de la xénophobie en collaboration avec des penseurs, écrivains, scientifiques, critiques d'arts et plasticiens. Organisation de colloques sur le thème de la xénophobie. Ont écrit dans la revue : E. Morin, Elie Wiesel, Julia Kristeva, Henri Laborit, Hassan Fodha, Michel Butor, Hubert Reeves, Chertock, etc.

1991 Partage l'atelier de Maurice Mandrile à Avignon.
Travaille avec le peintre Malek qui, comme Mandrile, contribue à ses futures orientations vers une pratique quotidienne

1992 Décide d'abandonner le journalisme pour se consacrer à la peinture



1994 Soutien de France Delville, critique d'art, qui reconnaît son travail
Vente aux enchères, organisée par Ben & nux vomica
Salle Miramar, Cannes
Parcours des arts, Bruxelles

1996 Nacye Moroz Williams diffuse son travail (collectionneurs), Los Angeles


1999 Parcours des Arts, Bruxelles
Soutien de Michel Gaudet et Jacques Lepage, critiques d'art

2000 L'exposition Les voies du secret, organisée par France Delville, initie une nouvelle période, un autre rapport à la peinture et à ses transmissions…

Galerie IEM, Antibes


2001 Bains Douches, Antibes
Lumières; Briançon

2002 Espace Raphael, Nice
Galerie Van Heaven, Vallauris

2003 Maison de la Photographie, Saint Etienne
2004 Atelier 2, Grasse
"le sens des signes" AIAP Monaco
Palais carnoles, musée des beaux arts, Menton

2005 -2006 création de l'association caravancafé soutenue par le Centre Internationel d'Etudes et
Recherchces Transdisciplinaires '(ciret)
organisation d'expos, art science psychanalyse à Antibes


Galerie Artefact, Cannes


soutien du peintre indien Sayed Raza


2007 "Beau comme un symptôme" CIAC de Carros

2008 publication dans la revue Transdisciplinaire "l'arbre" -main/r_evenements/revuearbre.php

2010 CPCT Antibes () publication dans la Lettre Mensuelle ( Ecole de la Cause freudienne)