Design titled "Outsider 2" by Sever, Original Artwork, Accessories

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Outsider 2 (2019) Design by Sever

Name: ARTMAJEUR
Brand: ARTMAJEUR
Rating: 4.9 (12745 reviews)

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Seller Sever

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Using the image on a website or on the internet.

1500 px
	1125 px

Dimensions of the file (px)	1500x1125
Use worldwide	Yes
Use on multi-support	Yes
Use on any type of media	Yes
Right of reselling	No
Max number of prints	0 (Zero)
Products intended for sale	No

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Original Artwork Design, Accessories / Furniture

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 55.1in, Width 216.5in
Artwork's condition The artwork is in good condition
Categories Abstract Abstract

Большая Игровая Кость. Мне кажется это триумф автора в демонстрации условного успеха или просто некоего случая и шанса, где визуально. значимые точки провалились/истерлись: от бесчисленного числа попыток, сгинули в отверстиях бессмысленности и буквальной пустоты:. от нежелания видеть результат, сквозь некоторые отверстия. возможно парадоксально наблюдать [...]

Большая Игровая Кость. Мне кажется это триумф автора в демонстрации условного успеха или просто некоего случая и шанса, где визуально
значимые точки провалились/истерлись: от бесчисленного числа попыток, сгинули в отверстиях бессмысленности и буквальной пустоты:
от нежелания видеть результат, сквозь некоторые отверстия
возможно парадоксально наблюдать или даже влиять на совершенно другие грани событий/действий, да и есть ли вообще смысл метать «жертвенную» кость,
ведь схождение любого игрового смысла есть в мнимой значимости и осмысленности, внутри которой всегда пустота, «квантовая неопределенность», где любая сторона
всего лишь сито/воронка в процеживании реальности и желаемых событий.
Случайность, везение, проигрыш, надежда, все это эпитеты творческой биографии Бротарса, не очень успешного поэта, далее узнаваемый в своём круге художник,
удачно и чутко уловивший меркантильные тенденции новых медиа, ловко интерпретируя идеи. Хрупкие скорлупки, горы мидий, гротеск и пародия на ценности существования, золото,
как некий суррогат и эталон произведения искусства, погребальные таблички с именами ушедших гениев Гельдерлин, Кант, ничего кроме иронии не вызывают, да и набор тоже. Кстати
и сама конструкция “кости”, топорно слепленная коробка,
с плохой покраской, открыто демонстрирует презрение автора к этому инструменту/символу.
Север

About this artwork: Classification, Techniques & Styles

Accessories

Objects used to accompany and modify the main clothing.

Furniture

Set of furniture elements which, in a dwelling, an office, etc. is used for the comfort of the inhabitants or the users and for the storage of various objects.

Technic Design

Design or styling is a creative activity often with an industrial or commercial vocation, which can be oriented towards social, political, scientific and environmental circles. The conception of design originated around 1925, both in Germany (W. Gropius and the Bauhaus), the United States (Frank Lloyd Wright) and France (Le Corbusier). Design, or industrial design, has imposed itself everywhere, even if it means becoming Latin (Italian "disegno industriale", Spanish "designio industrial").

Related themes

#Art

Sever

Russia

. My practice and paradigm is visualization of aspects of modern philosophy and the theory of sustainable development of society in the refraction of physical phenomena by the tools of Contemporary art:. transgression [...]

My practice and paradigm is visualization of aspects of modern philosophy and the theory of sustainable development of society in the refraction of physical phenomena by the tools of Contemporary art:

transgression and solipsism in images and projections of VR;
stratification and accumulation of streams of meanings in the construction of total installations; correlation and interdependence of digital reality and real world;
study at the intersection of philosophy and physics of the micro / macro world;
the display of quantum uncertainty, the unreliability of the real, as a state of mentality.