Escultura titulada "Last Human" por Michael Levchenko, Obra de arte original, Metales

Last Human (2006) Escultura por Michael Levchenko

No está en venta

Vendido por Michael Levchenko

Certificado de autenticidad incluido

Esta obra aparece en las colecciones 2

Obra de arte original Escultura, Metales

Clasificación de obras de arte

Obra de arte original

Las obras de arte originales son cualquier obra considerada auténtica y no una copia o imitación de las obras originales de un artista. Las obras de arte originales pueden ser cualquier tipo de pintura, escultura, diseño u otros. Hay muchos tipos de soportes originales. Las técnicas mixtas incluyen pinturas al óleo, acrílicas y acuarelas. Para las pinturas de taller que dan testimonio de la artesanía, esta atribución debe ser más matizada. Aunque pueden ser menos valiosos por varias razones, las reproducciones y copias had tenido un gran impacto en nuestra experiencia. Llegan a un público más amplio que los originales y actúan como un tónico contra la mercantilización. La obra original también podría referirse a la primera obra, que siempre precede a todas las demás. También puede referirse a un prototipo o modelo a partir del cual se pueden realizar otros trabajos. Cada obra tiene grandes similitudes con el original.
Dimensiones Altura 40,2in, Anchura 21,3in
apto para exteriores? No, Esta obra de arte no se puede exhibir al aire libre.
Categorías Esculturas menos de 20.000 US$ Abstracto

Acerca de esta obra de arte: Clasificación, Técnicas & Estilos Metales Técnica de escultura con metal, generalmente maleable, dúctil y material reflectante.[...]

Michael Levchenko

Ucrania

I was born in Kiev to a father who was an architect and painter, and to a mother who was a graphic designer. As a child, I recall joining my father in the ateliers of friends and colleagues, where there was a lot of smoking, coffee drinking, and arguing about modern Western art, which was prohibited in the USSR. As I grew up in an artistic environment, it was inevitable that I should begin painting at an early age. To my mind, being a painter meant freedom and rebellion. Fortunately, this kept me away from typical teenage problems, as I was too busy creating art. At the age of 12, I began attending evening painting classes at an art school after my regular daytime studies. I later enrolled in the National Academy of Arts and Architecture in the sculpture department. The school was a figurative Soviet school with a focus on propagandistic monuments.

After “Perestroika”, Ukrainian independence, and the fall of the iron curtain, many European exhibitions made clear that the art world was different from the one we were taught about at the conservative academy.

After graduating with a master’s degree in fine arts, I progressively opted for a more abstract and less figurative approach to sculpture.

I am currently a member of the Professional Artists’ Union, which is affiliated with the International Associate of Art IAA/UNESCO Ukraine.
Since 2008, I have been a member of the International Association for Monumental Sculpture Events, Italy.
Since 2007, I have participated in more in more than 60 international sculpting symposiums, festivals, and exhibitions in Argentina, Azerbaijan, Belgium, Chile, China, Cyprus, the Czech Republic, France, Germany, Iran, Israel, Italy, Japan, Luxemburg, Norway, Poland, Russia, Spain, Syria, Taiwan, Turkey, Ukraine, the United States.

Travel has always had a great impact on my work and mindset. I have met many interesting people and visited hundreds of exhibitions and dozens of museums worldwide.