Les cycles du chaos 13 (2020) Painting by Scowcza

Acrylic on Canvas, 25.2x60.6 in
$2,072.86
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Seller Scowcza
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Certificate of Authenticity included
Ready to hang
This artwork is framed
Mounted on Wood Panel
  • Original Artwork (One Of A Kind) Painting, Acrylic / 2D Digital Work / Collages on Canvas
  • Dimensions 25.2x60.6 in
    Dimensions of the work alone, without framing: Height 25.2in, Width 60.6in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed (Frame + Under Glass)
  • Categories Paintings under $5,000 Street Art Abstract
Cette oeuvre fait partie de la série "Les Cycles du chaos". Il s'agit d'une technique mixte : dessin numérique réalisé à partir d'un algorithme spécifique, peinture acrylique et collages. L'application Artivive permet d'animer la partie numérique du tableau! About this artwork: Classification, Techniques & Styles. Acrylic. Paint using traditional pigments [...]
Cette oeuvre fait partie de la série "Les Cycles du chaos".
Il s'agit d'une technique mixte : dessin numérique réalisé à partir d'un algorithme spécifique, peinture acrylique et collages.
L'application Artivive permet d'animer la partie numérique du tableau !

Related themes

ChaosCyclesRéalité AugmentéeAffiches

Automatically translated
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SCOWCZA désigne la réunion des quatre mains de Pierre SChmitt, ingénieur, et Dominique OWCZArski, artiste plasticienne. Passionné de dessin à la plume, Pierre s'est lancé depuis longtemps dans l'art algorithmique, [...]

SCOWCZA désigne la réunion des quatre mains de Pierre SChmitt, ingénieur, et Dominique OWCZArski,  artiste plasticienne.

Passionné de dessin à la plume, Pierre s'est lancé  depuis longtemps dans l'art algorithmique, et développe de façon  continue un logiciel  original  de dessin vectoriel, exclusivement dédié aux travaux de SCOWCZA.

Ses estampes numériques, naguère réalisées par un traceur à plume, sont aujourd'hui imprimées sur des toiles grand format pour servir de support aux travaux de Dominique, qui intègre leur structure purement géométrique dans son oeuvre picturale.

Ils s'efforcent d'expliciter leur processus artistique et ses fondements théoriques à travers conférences et écrits, tels le Manifeste de l'Art Vectoriel, qui sera publié en 2012 dans la revue Tangente, à laquelle ils collaborent de façon régulière.

Leur oeuvre se décline en fait sous de multiples facettes : dessin, peinture, collages, photos, animations numériques, installations, performances, ...

Cette association de techniques et médias de différentes natures vise à interroger les similarités et les antagonismes entre les formes et structures imaginées par l'homme, qui se veulent régulières et d'apparence ordonnée, mais n'échappent pas aux fractures et aux effondrements, et celles de la  nature, infiniment complexes et irrégulières, mais semblant témoigner d'un ordre sous-jacent.

A l'heure où la fragmentation des sociétés humaines et leur déconnection avec l'environnement atteignent un seuil critique, n'est-il pas important de se remémorer que nous  formons un tout ?

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