Corruption (2019) Painting by Sardoine Mia

Acrylic on Canvas, 39.4x39.4 in
$2,963.11
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Fine art paper, 8x8 in

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I am a daughter of this society, corrupt to the core. Where we find ourselves one after the other caught in this nameless mess. It doesn't matter who has integrity or not, it doesn't matter if they're a non-smoker, everyone suffers the consequences, everyone breathes the same corrupt air. About this artwork: Classification, Techniques & Styles. Acrylic. [...]
I am a daughter of this society, corrupt to the core. Where we find ourselves one after the other caught in this nameless mess. It doesn't matter who has integrity or not, it doesn't matter if they're a non-smoker, everyone suffers the consequences, everyone breathes the same corrupt air.

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ArtArt AfricainArt ContemporainArtiste CongolaisSardoine Mia

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. Self-taught, if I had to explain my way of painting, I would say that it is a selfish search for plenitude, a vision of spirituality, a somewhat bizarre observation of the world. Inspired by the patterns of [...]


Self-taught, if I had to explain my way of painting, I would say that it is a selfish search for plenitude, a vision of spirituality, a somewhat bizarre observation of the world.

Inspired by the patterns of cracked stones and tree bark for the texture of my paintings, I am in love with the meticulousness and detailed work that offers the eloquence of a good balance between coldness and aggressiveness.

< p>I started in contemporary art in 2016. And since then I have been looking for direct experiences with specific materials, exploring their limits and incorporating these challenges and transformations in my works.

In my research, I gradually abandoned the support of the classic canvas to work on the plastic canvas (tarpaulin made by recycling plastic waste collected in my hometown). This, along with acrylic paints, markers, collages, charcoal and ink, opens the way for me to a painting technique that is unique to me.


Manifest Symbolism in my works suggests that they come from a period dating from the renaissance. The explosion of colors, the androgynous characters sometimes devoid of hair or natural skin color symbolize race and gender neutrality. Thus in my work, I index the disappearance of a world, question it, and reveal it in a share of truth inspired by the questions that are essential to me.

Even better I try to betray the inconstancy of this world, its evanescent nature, using my love of detail, from drawing to painting, from reality to infinity!

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