Toutes les oeuvres de Rosi Roys
Sélection exclusive à prix remisés • 10 oeuvres
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Abstract flowers inspired by CY • 34 oeuvres
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In this series of artworks, I engage in a multifaceted painting of flowers. The flowers are a simple[...]
In this series of artworks, I engage in a multifaceted painting of flowers. The flowers are a simple object for depiction, but this simplicity allows them to be in every epoch and "isms" of the world history of art.
As previously, I was working in abstract expressionism, therefore the manner of depicting and stylistic similarity of my flowers flows from there. Such form is natural for me, and it identifies my feelings about the world. It's necessary for me to experiment with a measure of abstractness and reality in paintings, with the combination of rough distinct brushstroke and light, translucent plane. One of the elements of my practice is the inversion of a picture; I often experiment with depicting the changes in one image depending on background tone differences and respectively, the tone and color of flowers. The titles of my paintings is understandable ( "Pink flower", "Yellow flower"), as I avoid additional emotional connotation, therefore I left them open for all viewers.
As previously, I was working in abstract expressionism, therefore the manner of depicting and stylistic similarity of my flowers flows from there. Such form is natural for me, and it identifies my feelings about the world. It's necessary for me to experiment with a measure of abstractness and reality in paintings, with the combination of rough distinct brushstroke and light, translucent plane. One of the elements of my practice is the inversion of a picture; I often experiment with depicting the changes in one image depending on background tone differences and respectively, the tone and color of flowers. The titles of my paintings is understandable ( "Pink flower", "Yellow flower"), as I avoid additional emotional connotation, therefore I left them open for all viewers.
Flower new • 50 oeuvres
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In this series of artworks, I engage in a multifaceted painting of flowers. The flowers are a simple[...]
In this series of artworks, I engage in a multifaceted painting of flowers. The flowers are a simple object for depiction, but this simplicity allows them to be in every epoch and "isms" of the world history of art. The flowers find their place in the works of many artists, regardless of social context, changing view of art, or self-reflection. It is the most basic image through which we can trace the style changes of art.
But as previously, I was working in abstract expressionism, therefore the manner of depicting and stylistic similarity of my flowers flows from there. Such form is natural for me, and it identifies my feelings about the world. It's necessary for me to experiment with a measure of abstractness and reality in paintings, with the combination of rough distinct brushstroke and light, translucent plane. One of the elements of my practice is the inversion of a picture; I often experiment with depicting the changes in one image depending on background tone differences (black-white) and, respectively, the tone and color of flowers. The titles of my paintings is understandable ( "Pink flower", "Yellow flower"...), as I avoid additional emotional connotation, therefore I left them open for all viewers.
But as previously, I was working in abstract expressionism, therefore the manner of depicting and stylistic similarity of my flowers flows from there. Such form is natural for me, and it identifies my feelings about the world. It's necessary for me to experiment with a measure of abstractness and reality in paintings, with the combination of rough distinct brushstroke and light, translucent plane. One of the elements of my practice is the inversion of a picture; I often experiment with depicting the changes in one image depending on background tone differences (black-white) and, respectively, the tone and color of flowers. The titles of my paintings is understandable ( "Pink flower", "Yellow flower"...), as I avoid additional emotional connotation, therefore I left them open for all viewers.
Blurred flowers • 11 oeuvres
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Monochrome Flower • 13 oeuvres
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In this series of artworks, I engage in a multifaceted painting of flowers. The flowers are a simple[...]
In this series of artworks, I engage in a multifaceted painting of flowers. The flowers are a simple object for depiction, but this simplicity allows them to be in every epoch and "isms" of the world history of art. The flowers find their place in the works of many artists, regardless of social context, changing view of art, or self-reflection. It is the most basic image through which we can trace the style changes of art.
But as previously, I was working in abstract expressionism, therefore the manner of depicting and stylistic similarity of my flowers flows from there. Such form is natural for me, and it identifies my feelings about the world. It's necessary for me to experiment with a measure of abstractness and reality in paintings, with the combination of rough distinct brushstroke and light, translucent plane. One of the elements of my practice is the inversion of a picture; I often experiment with depicting the changes in one image depending on background tone differences (black-white) and, respectively, the tone and color of flowers. The titles of my paintings is understandable ( "Pink flower", "Yellow flower"...), as I avoid additional emotional connotation, therefore I left them open for all viewers.
But as previously, I was working in abstract expressionism, therefore the manner of depicting and stylistic similarity of my flowers flows from there. Such form is natural for me, and it identifies my feelings about the world. It's necessary for me to experiment with a measure of abstractness and reality in paintings, with the combination of rough distinct brushstroke and light, translucent plane. One of the elements of my practice is the inversion of a picture; I often experiment with depicting the changes in one image depending on background tone differences (black-white) and, respectively, the tone and color of flowers. The titles of my paintings is understandable ( "Pink flower", "Yellow flower"...), as I avoid additional emotional connotation, therefore I left them open for all viewers.
Minimalistic flowers • 11 oeuvres
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Flower diptych • 14 oeuvres
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Black flowers • 18 oeuvres
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In this series of artworks, I engage in a multifaceted painting of flowers. The flowers are a simple[...]
In this series of artworks, I engage in a multifaceted painting of flowers. The flowers are a simple object for depiction, but this simplicity allows them to be in every epoch and "isms" of the world history of art. The flowers find their place in the works of many artists, regardless of social context, changing view of art, or self-reflection. It is the most basic image through which we can trace the style changes of art.
But as previously, I was working in abstract expressionism, therefore the manner of depicting and stylistic similarity of my flowers flows from there. Such form is natural for me, and it identifies my feelings about the world. It's necessary for me to experiment with a measure of abstractness and reality in paintings, with the combination of rough distinct brushstroke and light, translucent plane. One of the elements of my practice is the inversion of a picture; I often experiment with depicting the changes in one image depending on background tone differences (black-white) and, respectively, the tone and color of flowers. The titles of my paintings is understandable ( "Pink flower", "Yellow flower"...), as I avoid additional emotional connotation, therefore I left them open for all viewers.
But as previously, I was working in abstract expressionism, therefore the manner of depicting and stylistic similarity of my flowers flows from there. Such form is natural for me, and it identifies my feelings about the world. It's necessary for me to experiment with a measure of abstractness and reality in paintings, with the combination of rough distinct brushstroke and light, translucent plane. One of the elements of my practice is the inversion of a picture; I often experiment with depicting the changes in one image depending on background tone differences (black-white) and, respectively, the tone and color of flowers. The titles of my paintings is understandable ( "Pink flower", "Yellow flower"...), as I avoid additional emotional connotation, therefore I left them open for all viewers.
Abstract flower • 12 oeuvres
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RED EXPRESSION • 11 oeuvres
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RED HEARTS • 25 oeuvres
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In this series of works, the main object is a continuous line, which imitates the freedom of movement[...]
In this series of works, the main object is a continuous line, which imitates the freedom of movement like writing by the handle, as in Cy Twombly works. However, at the same time, the canvases' composition shows the composition's complexity and form balance concerning hierographic writing. These two references are not accidental, as they are the primary sources of inspiration for me. In this series, a coarse expressive line depicts different variability of a simple image of the heart. Reinforcing the expressive nature of the works allots a color to paintings - warm yellow and red colors.
Chargement...
Reconnaissance
Artiste Bestseller
L'artiste est parmi les plus demandés sur la plateforme
L'artiste est parmi les plus demandés sur la plateforme
Artiste dans lequel investir
Artiste dont la valeur a un grand potentiel de progression
Artiste dont la valeur a un grand potentiel de progression
Artiste émergent
La carrière de l'artiste est prometteuse
La carrière de l'artiste est prometteuse
Publié dans les médias
L'artiste a été publié dans les média, presse radio ou TV
L'artiste a été publié dans les média, presse radio ou TV
Éducation artistique
L'artiste a étudié les arts à travers ses études universitaires
L'artiste a étudié les arts à travers ses études universitaires
Choix de la rédaction
Les travaux de l'artiste ont été remarqués par la rédaction
Les travaux de l'artiste ont été remarqués par la rédaction
Présenté dans des salons d'art
L'artiste participe à des salons et foires artistiques
L'artiste participe à des salons et foires artistiques
Jeune talent
L'artiste a moins de 30 ans
L'artiste a moins de 30 ans
Biographie
Rosi Roys est une artiste ukrainienne contemporaine qui a suivi une formation professionnelle à l'Académie nationale des arts de Lviv dans la spécialité de peinture monumentale et a poursuivi son chemin en tant qu'expressionniste abstraite. S'inspirant de l'art des hiéroglyphes, Roys considère chaque mouvement de son œuvre comme une maîtrise qui a évolué au fil des années. Son œuvre comprend plusieurs séries, principalement caractérisées par des compositions monochromes. La palette de couleurs limitée de chaque série porte son propre symbolisme, ajoutant de la profondeur et des nuances au récit visuel.
L'influence de la culture orientale et des expériences occidentales en matière d'expressionnisme abstrait est palpable dans l'art de Roys. Ce mélange symbiotique est une conséquence logique de son origine ukrainienne, carrefour géographique et culturel qui relie l’Orient et l’Occident. L'exploration artistique de Roys devient particulièrement significative lorsqu'elle est considérée dans le contexte du paysage historique et artistique de l'Ukraine, marqué par le régime totalitaire de l'URSS.
Dans le paradigme plus large de l’expressionnisme abstrait, Roys occupe une position unique, contribuant à la renaissance du modernisme ukrainien en comblant le vide historique et artistique laissé par l’ère soviétique. Son art devient un vaisseau de synthèse d’influences culturelles disparates, reflétant la tapisserie complexe de son pays natal.
Alors que Roys poursuit son parcours artistique, elle se débat avec la question de repenser l'expressionnisme abstrait à partir d'une méta-position. Cette enquête introspective témoigne de son engagement non seulement envers son métier mais aussi envers le dialogue plus large au sein du monde de l'art, la positionnant comme une artiste réfléchie et visionnaire naviguant à l'intersection de l'histoire, de la culture et de l'abstraction.
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Nationalité:
UKRAINE
- Date de naissance : 1996
- Domaines artistiques:
- Groupes: Artistes Contemporains Ukrainiens
Influences
Pas encore de données disponibles
Formation
2017 - 2019
Lviv National Academy of Arts the masters degree on the department of Monumental Painting
Lviv,
Ukraine
2013 - 2016
Lviv National Academy of Arts
Lviv,
Ukraine
Cote de l'artiste certifiée
Pas encore de données disponibles
Accomplissements
Expositions collectives
2018
Avtoportret Intymny , Museum Of Ideas
Lviv,
Ukraine
2016
Gothic, Catastrophe Gallery
Lviv,
Ukraine
2016
A4Ballpoint , Karas Gallery
Kyiv,
Ukraine
Publications et presse
2019
Artbazaar
Madrid,
Espagne
Résidences
2021
Polish-Ukrainian Residence “Avtoportret Intymny”
Rzeszow,
Pologne
2018
Boundaries And Borders
Khmelnytskyi,
Ukraine
2016
Land Art Symposium Mogrytsia
Mogrytsia,
Ukraine
Expositions solo
2017
Maslo Space Boundaries
Khmelnytskyi,
Ukraine
Activité sur Artmajeur
Dernière mise à jour: 5 juin 2024
(Membre depuis 2021)
Vues image: 879 523
Oeuvres de Rosi Roys ajoutées aux collections favorites: 3 346
Dernières Nouvelles
Toutes les dernières nouvelles de l'artiste contemporain Rosi Roys
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Avis et commentaires
Lovely work and colors !I like !!
Superbe works, refined, very artist+++
Vielen Dank 🙋🏻♀️😉🍀
Il y a à la fois beaucoup de force et de douceur dans votre évocation de la poesie florale, Rosy. bravo, cela me plaît beaucoup!
Thank you so much for adding my photos to your collection!
Grazie! Per avere voluto 'volevo solo sussurralo' nella tua collezione!
Me agradan mucho tus pinturas. Tus obras son magníficas. Gracias por visitar mi galería. Mora Castela.
Une rose en train de jeter les derniers feux de sa magnificence ! Superbe !
I love the flower series, Beautiful!
Thank you for your work and adding my work to your collection.
Lisa
I adore the movement given in your paintings!! Nice Job!!
Thank you very much, beautiful work art as well !
Beautiful work "ROSI ROYS" (and thank you for adding my work in your collection) !!! MC
I really like these bright bold strokes...
Magnifique ! Tellement de sensibilité et de sensualité.
Nadine Imbert pseudo sebrac
Słyszałam kiedyś opinię, że temat słoneczników w malarstwie został wyczerpany. Ale Ty udowadniasz, że można powiedzieć więcej. Powodzenia!
Thank you for adding my work to your collection!
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