'composites of colour, pattern, shape and line' (2024) Digital Arts by Rosemary Collard

Fine art paper, 8x12 in

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Art image bank
  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • Categories Abstract Abstract
This work is the development of the background I used in 'Sentinels' and 'Gatekeepers'. I've called it 'composites of colour, pattern, shape and line' which best describes my intention as I worked. One of my favourite ways of working is to colour in abstract shapes and embellish these shapes with patterning. I used to do this by physical means but [...]
This work is the development of the background I used in 'Sentinels' and 'Gatekeepers'
I've called it 'composites of colour, pattern, shape and line' which best describes my intention as I worked.
One of my favourite ways of working is to colour in abstract shapes and embellish these shapes with patterning. I used to do this by physical means but I'm now able to do it digitally using Adobe Illustrator.
It may not be possible to make sense of it in a traditional way but for me its the process which is important which could be described as a form of meditation - concentrating solely on the effects created when several elements are brought together in the one picture plane. Perhaps this is my escape and relaxation.

Related themes

AbstractCompositesElementsDesignDigitalart

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Rosemary Collard (b.1948, d.2025) was an abstract digital artist. Born and raised in Western Australia, she later moved to Tasmania, Australia. Inspired by the work of Kandinsky, her long-held goal was to develop [...]

Rosemary Collard (b.1948, d.2025) was an abstract digital artist.  Born and raised in Western Australia, she later moved to Tasmania, Australia.

Inspired by the work of Kandinsky,  her long-held goal was to develop an abstract style of her own.

An advocate of the art of subconscious doodling, she began most work in this manner,  creating what appeared to be random chaos.  The challenge was to create a plausible image from this starting point. Titles were important and often revealed as the work progresses.   

She made the transition from physical to digital art after seeing its potential in the mid-1990s.  Since then, she had worked exclusively on the computer, developing her skills and artworks, contract works and commissions.



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