'charcoal grill' - 240319.1.2 (2024) Digital Arts by Rosemary Collard

Fine art paper, 8x12 in

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Art image bank
  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • Categories Abstract Abstract
Most of my work seems to begin with a question about some aspect of creating art - and these days its about creating digital artwork. This is what inspires me to keep working. The first version of 'charcoal grill' happened by accident in March this year and although I knew what I wanted to do with it I hadn't worked out how to achieve it. The charcoal [...]
Most of my work seems to begin with a question about some aspect of creating art - and these days its about creating digital artwork. This is what inspires me to keep working.

The first version of 'charcoal grill' happened by accident in March this year and although I knew what I wanted to do with it I hadn't worked out how to achieve it.

The charcoal base drawing was made in 2009 - another exercise - using mixed media on paper - charcoal, metal studs, paper and plastic webbing.

I photographed it recently in the hope that it would be an interesting element to use in my digital work.
I used the 'paste into' shape technique to allow me to move and resize the copied image.

Related themes

CharcoalAbstractDigital AbstractBlack And WhiteExpression

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Rosemary Collard (b.1948, d.2025) was an abstract digital artist. Born and raised in Western Australia, she later moved to Tasmania, Australia. Inspired by the work of Kandinsky, her long-held goal was to develop [...]

Rosemary Collard (b.1948, d.2025) was an abstract digital artist.  Born and raised in Western Australia, she later moved to Tasmania, Australia.

Inspired by the work of Kandinsky,  her long-held goal was to develop an abstract style of her own.

An advocate of the art of subconscious doodling, she began most work in this manner,  creating what appeared to be random chaos.  The challenge was to create a plausible image from this starting point. Titles were important and often revealed as the work progresses.   

She made the transition from physical to digital art after seeing its potential in the mid-1990s.  Since then, she had worked exclusively on the computer, developing her skills and artworks, contract works and commissions.



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