'Moon Tide' - 240128.2.4 (2024) Digital Arts by Rosemary Collard

Fine art paper, 8x10 in

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  1500 px  

1140 px
Dimensions of the file (px) 1500x1140
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  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • Categories Conceptual Art Abstract
'Moon Tide' is one of a set created after visiting Green's Beach at the mouth of the Tamar River, Launceston. I wanted to create a portrait of the beach which I visit often and have grown to love. The resource photos I took were simply prompts to my thinking when I began working. My interpretation of the beach was guided by thoughts of the moon influencing [...]
'Moon Tide' is one of a set created after visiting Green's Beach at the mouth of the Tamar River, Launceston. I wanted to create a portrait of the beach which I visit often and have grown to love. The resource photos I took were simply prompts to my thinking when I began working.
My interpretation of the beach was guided by thoughts of the moon influencing the tides and that every morning the evidence of the tidal activity is there for beach combers to explore. Its as if each night the beach is washed clean ready for a new display of the ocean's deposits. So the moonlight and tides became the driving influence for the three works.
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Rosemary Collard (b.1948, d.2025) was an abstract digital artist. Born and raised in Western Australia, she later moved to Tasmania, Australia. Inspired by the work of Kandinsky, her long-held goal was to develop [...]

Rosemary Collard (b.1948, d.2025) was an abstract digital artist.  Born and raised in Western Australia, she later moved to Tasmania, Australia.

Inspired by the work of Kandinsky,  her long-held goal was to develop an abstract style of her own.

An advocate of the art of subconscious doodling, she began most work in this manner,  creating what appeared to be random chaos.  The challenge was to create a plausible image from this starting point. Titles were important and often revealed as the work progresses.   

She made the transition from physical to digital art after seeing its potential in the mid-1990s.  Since then, she had worked exclusively on the computer, developing her skills and artworks, contract works and commissions.



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