230424.1 - Carnevale (2023) Digital Arts by Rosemary Collard

Fine art paper, 12x7 in
  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • Categories Abstract Colorful
'Carnevale' seemed the most fitting title for this work after I had rotated it from landscape to portrait view. The effect was to change its appearance from passive to dynamic, giving it a festive feeling. Although I continued to rotate the work I was convinced the portrait view was the right one for it. I have included an in situ view. The work is [...]
'Carnevale' seemed the most fitting title for this work after I had rotated it from landscape to portrait view. The effect was to change its appearance from passive to dynamic, giving it a festive feeling. Although I continued to rotate the work I was convinced the portrait view was the right one for it.
I have included an in situ view.
The work is capable of being enlarged and most suitable for facemount acrylic or glass finish.

Related themes

CmykFestiveColourfulMagentaCyan

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Rosemary Collard (b.1948, d.2025) was an abstract digital artist. Born and raised in Western Australia, she later moved to Tasmania, Australia. Inspired by the work of Kandinsky, her long-held goal was to develop [...]

Rosemary Collard (b.1948, d.2025) was an abstract digital artist.  Born and raised in Western Australia, she later moved to Tasmania, Australia.

Inspired by the work of Kandinsky,  her long-held goal was to develop an abstract style of her own.

An advocate of the art of subconscious doodling, she began most work in this manner,  creating what appeared to be random chaos.  The challenge was to create a plausible image from this starting point. Titles were important and often revealed as the work progresses.   

She made the transition from physical to digital art after seeing its potential in the mid-1990s.  Since then, she had worked exclusively on the computer, developing her skills and artworks, contract works and commissions.



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