Painting titled "les deux pies bleues" by Roselyne Pegeault, Original Artwork, Watercolor

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les deux pies bleues Painting by Roselyne Pegeault

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Seller Roselyne Pegeault

Original Artwork Painting, Watercolor on Paper

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 19.7in, Width 15.8in

Cette peinture chinoise représente un couple de pies bleues au printemps, la fleur de prunus est symbole du nouvel an et de bonheur. Réalisée sur papier de riz et marouflée sur papier aquarelle 300 g About this artwork: Classification, Techniques & Styles. Watercolor. Watercolor is a painting in which gum arabic binds transparent pigments revealing [...]

Roselyne Pegeault

France

Living near Dinan in Brittany, it is after more than 15 years of oil painting, then a 3-year-stop that has actually been creatively. "regenerative" I had the revelation of ink and water, bringing me first of all, [...]

Living near Dinan in Brittany , it is after more than 15 years of oil painting, then a 3-year-stop that has actually been creatively
"regenerative" I had the revelation of ink and water, bringing me first of all , because of its difficulty, to participate in two workshops with Robert Faure on the theme of plum blossoms in sumi-e style ... discovery of a new material , paper very absorbent rice , long brushes that we slowly get friend with, for fine lines or thick, sharp point or disheveled tuft, the possibilities are endless in the gathering of ink and water, from the deepest dark to the lighter gray , shades and subtle effects , concentrated line juxtaposed to dilute and diffuse touches ...

It is now under the guidance of Henry Xiaohui Li, Chinese master living in California that I continue my path, from discovery to marvel with Chinese watercolor often associated with the ink. His talent as an artist and his caring and efficient pedagogy associated with his knowledge of Traditional Chinese painting through the ages provide as much opportunity for my artistic soul to flourish ...

Though I feel a natural attraction to 'Xieyi ' style more evocative and spontaneous than very meticulous 'gongbi' style, yet both styles are complementary in the study of a subject, which is why you may also find some gongbi paintings in my practice ( including copies of masters ) .

Please see in the section 'Actualités' (which I will update regularly) for more details on my Chinese painting teacher, some articles about painting and sumi-e and various internet document that I want to share on this site ...