Golden Shower (2022) Digital Arts by Romeo Madonna

Fine art paper, 11x8 in
  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print on Paper
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • Categories Figurative Erotic Nudes
This piece again focus on the concept of a 'mask'. A beauty mask is used as a flourishing tool to enhance our beautiful and good-looking skin. Different ingredients will help us to present our best selves. But a mask is also used to conceal from view and present us in a less personal way. I have always have been fascinated by queer history and how [...]
This piece again focus on the concept of a 'mask'. A beauty mask is used as a flourishing tool to enhance our beautiful and good-looking skin. Different ingredients will help us to present our best selves. But a mask is also used to conceal from view and present us in a less personal way. I have always have been fascinated by queer history and how homosexuals found different ways to communicate secretly through codes - the hanky code is one example of that.
I am curious about what viewers will feel/think about this piece, because I have been focusing in juxtaposition of the flowing flowers with the explicit material.

Related themes

FlowersQueerGayHomoMen

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Romeo Madonna (London, 1987) is a collage artist currently living and working in Florence, Italy. Entirely self-taught, he explores collage—both digital and analog—not only as a medium of expression, but as a [...]

Romeo Madonna (London, 1987) is a collage artist currently living and working in Florence, Italy.

Entirely self-taught, he explores collage—both digital and analog—not only as a medium of expression, but as a method of investigation and the synthesis of a broader philosophical inquiry.

After studying Film at Roma Tre University with the initial intention of becoming a screenwriter, he later attended the Accademia di Belle Arti, drawn by a fascination with engraving and traditional printmaking techniques.

His background in mixology and luxury retail has subtly shaped the aesthetics and narratives of his work, blending digital experimentation with tactile, manual processes.

Recurring themes in his practice include time, beauty, identity, and mortality—filtered through a personal, contemporary lens often marked by poetic dissonance and symbolic layering.

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