Ryan (2022) Painting by Robert Craig Grassle

Not For Sale

Seller Robert Craig Grassle

Fine art paper, 9x8 in

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  1388 px  

1500 px
Dimensions of the file (px) 1388x1500
Use worldwide Yes
Use on multi-support Yes
Use on any type of media Yes
Right of reselling No
Max number of prints 0 (Zero)
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  • Original Artwork (One Of A Kind) Painting, Acrylic on Canvas
  • Dimensions Height 32in, Width 30in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Conceptual Art Portrait
THIS PAINTING TAKES THE TWO ELEMENTS THAT I HAVE BEGUN WITH AND PLACES THEM TOGETHER TO FORM A COMPOSITION OF CONCEPTUAL ART. THE SUBJECT HAS DEDICATED A PORTION OF HIS LIFE TO JAZZ GUITAR. THE GUITAR BECOMES AN ELEMENT OF THE FACE, OR ARE YOU JUST PEERING BEYOND HIS FACE TO SEE A PART OF HIS LIFE. THE CIRCLES OF COLOR AND THE FREE HAND SKETCHING ELEMENTS [...]
THIS PAINTING TAKES THE TWO ELEMENTS THAT I HAVE BEGUN WITH AND PLACES THEM TOGETHER TO FORM A COMPOSITION OF CONCEPTUAL ART. THE SUBJECT HAS DEDICATED A PORTION OF HIS LIFE TO JAZZ GUITAR. THE GUITAR BECOMES AN ELEMENT OF THE FACE, OR ARE YOU JUST PEERING BEYOND HIS FACE TO SEE A PART OF HIS LIFE. THE CIRCLES OF COLOR AND THE FREE HAND SKETCHING ELEMENTS BOTH ARE EVIDENT IN THIS WORK. BEGAN USING A LINE OF PAINTS THAT I NOW USE IN ALL MY WORK.

Related themes

Jazz GuitarRyan

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My inspirations originate from my family experiences and professional career as an architect. I learned the use of color and its relationship to emotion from my mother. Encouragement with experimentation, creativity, [...]

My inspirations originate from my family experiences and professional career as an architect.  I learned the use of color and its relationship to emotion from my mother.  Encouragement with experimentation, creativity, and originality from my father, and persistence from both parents.  I spent my early childhood along the Mississippi River, boothill of Missouri, and later in life in the Ozarks of Missouri.  My adult education in architectural design from the Ozarks in Arkansas.  As a trombonist, I pull compositions from my musical background as well as my art and architectural education. I am a practicing architect in Houston, Texas.   I use bright and vibrant colors within my work to suggest emotion and wonder. When you analyze my compositions, I suggest you observe the negative space revealing concepts beyond the subject matter.  Shadows appearing on supposed physical items, or created by proposed elements that don't actually exist, yet are insinuated. Long strokes of color also illustrate movement and action.

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