"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1125 px | ||
|
1500 px |
| Dimensions of the file (px) | 1125x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
Download immediately upon purchase
This image is available for download with a licence: you can download them at anytime.
Restrictions
All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
This work is an "Open Edition"
Digital Arts,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Artwork's condition The artwork is in perfect condition
- Categories Abstract Music
This graphic represents what I see when I close my eyes and listen to Toccata and Fugue in D minor. Why not try it yourself?
Related themes
I grew up in a small New Jersey farming community at a time when the state still resembled its moniker, "the Garden State." At the age of 14 I landed my first paying job, robbing banks. It paid minimum wage at a local amusement park known as Cowboy City. Between robberies I embarked on a study of 19th Century, western calligraphy and talked the management into allowing me to paint elaborate signs to enhance the “wild west” atmosphere. It was great fun.
I studied at Parsons School of Design and NYU. Upon graduation, I worked briefly for a major ad agency, but found the corporate creative environment unsatisfying. I took a job in the display department of a small department store on the Jersey shore. I was practically the only one there that really needed a job. Everyone else was having a great time making “art.” So I adopted the company policy and found, like other artists of the period, I enjoyed the flamboyant environment of retail.
But good things never last. Small retail was becoming uneconomical so I moved to the local division of R.H. Macys where I discovered a management intent on reshaping department stores in a more relevant and creative form. I advanced through several positions, finally moving to the San Francisco division where I became display director.
During the 1970s and 80s Macys California was noted for groundbreaking merchandising and many exhibits of design and ethnic art. My participation in the creative team's efforts afforded me the opportunity to travel widely and the freedom to produce a quality of work few corporate art directors are allowed to achieve. My staff and I were rewarded with national recognition.
In 1987 contractions in the retail industry once again encouraged a move. I formed Pacific Print Media to assist the burgeoning pool of entrepreneurs in Northern California with quality sales promotion tools. Today, I continue to service a small group of my clients and devote most of my time to self-defined projects.
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Nationality:
UNITED STATES
- Date of birth : unknown date
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary American Artists
