O "PIFEIRO" OU ZÉ DO PÍFANO / THE FLUTE PLAYER (2020) Digital Arts by Ricaru Araujo

Fine art paper, 7x12 in

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  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print
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Série: "Da Infância" - O Pifeiro ou Zé do Pife. Pintura digital. 16X9. Arquivo original acrílica sobre madeira. Ricaru. Tive muitas oportunidades de ver instrumentistas e trios de forró (Ritmo musical) com seus "pifeiros" (Tocador de Pífanos/ Pífaros). Foi um privilégio aplaudir a famosa Banda de Caruaru numa de suas apresentações. Essa sem dúvida [...]
Série: "Da Infância" - O Pifeiro ou Zé do Pife.
Pintura digital.
16X9
Arquivo original acrílica sobre madeira.
Ricaru

Tive muitas oportunidades de ver instrumentistas e trios de forró (Ritmo musical) com seus "pifeiros" (Tocador de Pífanos/ Pífaros). Foi um privilégio aplaudir a famosa Banda de Caruaru numa de suas apresentações.

Essa sem dúvida é uma das imagens de Brejão (Cidade do interior de Pernambuco/ Nordeste/ Brasil), onde levado por meu Pai pra um arrasta pé no povoado, a noite, muita musica, milho assado e quentão, o verdadeiro "Pé de Serra". As bandeirolas anunciam como é importante esse festejo junino peculiar e típico do sertão. As festas de São João. Instrumento incomum, na realidade uma flauta geralmente feita de taquara ou taboca, podendo ser confeccionado mais recentemente com tubos metálicos de reutilização ou de PVC.

O pifeiro mesmo faz o seu instrumento, escolhe corta perfura com ferro em brasa e afina de maneira bem particular, lá nas brenhas do Nordeste muitos tocam seu próprio pife ou Pífaro. Pode ser executado em solo ou em trio de forró, também conhecido como terno.
Apesar de ter sua origem na Europa, no Brasil, com a influencia dos indígenas que já faziam suas flautas de taboca ou bambu, desenvolvemos nosso próprio instrumento com aspecto, materiais, afinação e técnicas nossa.

I had many opportunities to see instrumentalists and trio of lining with their "pifeiros" (Pifanos / Pífaros player). It was a privilege to applaud the famous Banda de Caruaru in one of their performances.

This is undoubtedly one of the images of Brejão (a city in the interior of Pernambuco/ Northeast/Brazil), where my father took him for a walk in the village, at night, a lot of music, roasted corn and quentão, the real "Pé de Serra". The flags announce how important this peculiar June celebration is, typical of the sertão. The feasts of St. John.

Unusual instrument, in reality a flute usually made of bamboo or taboca, and can be made more recently with metal tubes for reuse or PVC. The pifeiro himself makes his instrument, chooses to cut drills with red-hot iron and tunes in a very particular way, there in the brenhas of the Northeast many play their own pife or Pífaro. It can be performed on solo or in a forró trio, also known as a suit.

Despite having its origin in Europe, in Brazil, with the influence of the indigenous people who already made their flutes of taboca or bamboo, we developed our own instrument with aspect, materials, tuning and techniques of ours.
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Ricaru Araujo is a contemporary Brazilian plastic artist and researcher known for his diverse range of works, including drawing, watercolors, monotypes, engravings, silkscreen, sculpture, modeling, painting, electronic [...]

Ricaru Araujo is a contemporary Brazilian plastic artist and researcher known for his diverse range of works, including drawing, watercolors, monotypes, engravings, silkscreen, sculpture, modeling, painting, electronic art, animation videos, crafts, photography, and multimedia art using recycled materials. With over 40 years dedicated to the research, study, and production of art, he has participated in numerous physical and virtual exhibitions in cities, galleries, salons, fairs, and events both in Brazil and internationally.

Araujo is particularly noted for his transformation work with recyclable materials such as PET, PVC, wood, plastics, metals, UHT milk cartons, CDs, paper, cardboard, vegetable fibers, and seeds. His paintings are characterized by strongly stylized and personal drawings that exhibit craftsmanship and intense dynamism. His work demonstrates a great organic sense through the essential use of color and the inner rhythm of forms.

Araujo's unique style features a graphic approach where the color black flows and dots harmoniously and freely. Textures in his works emerge gracefully and spontaneously, often reaching towards a sky full of light, illuminated by the intensification of the sun. The sun, a central element in his compositions, symbolizes the vibrant and attractive folklore of his themes, which he lives and depicts with a strong connection to his northeastern lineage. His works, often reminiscent of cordel literature, are executed with a refined sense of humor and a natural identification with his cultural heritage.

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