Tangled Dreams (3539) (2025) Photography by Redrumstudio

Photography, 26x37.9 in
$1,011.44
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This artwork appears in 3 collections
There is a place where time stands still. A silent moment suspended between memory and dream, where bare branches carve intricate stories against a golden sky. The lines stretch endlessly, like old jazz records looping through the night, their melodies caught in the spaces between shadow and light. This fine art photograph captures the quiet poetry [...]
There is a place where time stands still. A silent moment suspended between memory and dream, where bare branches carve intricate stories against a golden sky. The lines stretch endlessly, like old jazz records looping through the night, their melodies caught in the spaces between shadow and light.

This fine art photograph captures the quiet poetry of a world in between—winter’s whisper before spring’s return, the tangled thoughts of a restless mind, the delicate thread between reality and illusion. Printed on archival museum-grade paper, each detail is preserved with a timeless quality, an echo of something familiar yet distant.

This limited edition print is an invitation—to lose yourself in the labyrinth of branches, to listen to the wind’s quiet soliloquy, to find meaning in the spaces left untouched.

Step into the quiet, and let the story unfold.

***

Printing Materials: Hahnemühle Fine Art Paper
Printed with 3 cm white border.
Image Size: 90,2 x 60 cm
Paper Size: 96,2 x 66 cm
Comes with a certificate of authenticity.

Related themes

BranchesTreeAbstractGolden SkyFine Art

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I traveled endless miles and came upon Paris, Texas, while David Crosby sang Cowboy Movie on the radio. Visions rose in my mind — the wild dreams of Kubrick, Lynch, Kitano. Dusk had fallen by then. Dark and unkind. [...]

I traveled endless miles and came upon Paris, Texas, while David Crosby sang Cowboy Movie on the radio. Visions rose in my mind — the wild dreams of Kubrick, Lynch, Kitano. Dusk had fallen by then. Dark and unkind. Like a Francis Bacon painting, stripped of mercy. I took up my camera, same way Fritz Munro did in L.A., back in ’82. Like it was the only thing left to hold.

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