Circle in the Round (3416) (2025) Photography by Redrumstudio

Photography, 18.1x18.1 in
$677.4
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Seller Redrumstudio
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Certificate of Authenticity included
I love the music of Miles Davis, and not a day goes by without me listening to something he played. His notes linger in the air like echoes of a world just out of reach, shaping themselves into something new each time, no matter how many times I’ve heard them before. There is an endlessness to them, like waves rolling onto a shore that never fully [...]
I love the music of Miles Davis, and not a day goes by without me listening to something he played. His notes linger in the air like echoes of a world just out of reach, shaping themselves into something new each time, no matter how many times I’ve heard them before. There is an endlessness to them, like waves rolling onto a shore that never fully remembers their arrival.

This black and white piece is my dedication to "Circle in the Round", a composition that, much like light and shadow, never moves in a straight line but bends, shifts, and transforms. It spirals inward and outward, tracing the edges of the known and the unknown. The print captures that feeling—the repetition that is never repetition, the shape that forms but never quite settles. A meditation in light and darkness. A rhythm carved in silence.

***

Printing Materials: Hahnemühle Fine Art Paper Pearl (285 g/m²)
Printed with 3 cm white border.
Image Size: 40 x 40 cm
Paper Size: 46 x 46 cm
Comes with a certificate of authenticity.

Related themes

JazzMiles DavisBlack And WhiteSoundRipetitive

Abstract jazz miles davis black and white sound ripetitive square circular light music meditation composition edges
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Redrumstudio Portrait
Redrumstudio
Italy
I traveled endless miles and came upon Paris, Texas, while David Crosby sang Cowboy Movie on the radio. Visions rose in my mind — the wild dreams of Kubrick, Lynch, Kitano. Dusk had fallen by then. Dark and unkind. [...]

I traveled endless miles and came upon Paris, Texas, while David Crosby sang Cowboy Movie on the radio. Visions rose in my mind — the wild dreams of Kubrick, Lynch, Kitano. Dusk had fallen by then. Dark and unkind. Like a Francis Bacon painting, stripped of mercy. I took up my camera, same way Fritz Munro did in L.A., back in ’82. Like it was the only thing left to hold.

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