EFFILOCHAGES 4bis (2011) Painting by Raphaëlle Pia

Acrylic on Canvas, 15x21.7 in
$1,226.12
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C'est un des nombreux moments de ce qu'on voit en Baie de Somme. Tout change sans cesse grâce à la mobilité des nuages. D'où les représentations variées. Ici les nuages s’amoncellent tout en se reflétant dans la mer et la scène est vue de face exactement. On dirait que dans l'eau la lumière est encore là, contrairement au ciel. Cette œuvre figurait [...]
C'est un des nombreux moments de ce qu'on voit en Baie de Somme. Tout change sans cesse grâce à la mobilité des nuages. D'où les représentations variées.
Ici les nuages s’amoncellent tout en se reflétant dans la mer et la scène est vue de face exactement. On dirait que dans l'eau la lumière est encore là, contrairement au ciel.
Cette œuvre figurait dans la présentation d'un ensemble de EFFILOCHAGES, lors de l'exposition personnelle à Issoire, France, en 2012, puis au musée de Berck lors d'une exposition personnelle en 2015
.

This is one of the many moments of what you see in the Baie de Somme. Everything changes constantly thanks to the mobility of the clouds. Hence the varied.
Here the clouds are gathering while being reflected in the sea and the scene is seen from the front exactly. It seems that in the water the light is still there, unlike the sky.representations.
This work was included in the presentation of a set of EFFILOCHAGES, during the solo exhibition in Issoire, France, in 2012 then at the museum of Berck during a personal exhibition in 2015.

Related themes

SeaCloudsFrayingReflectionsTide

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Raphaëlle Pia is a nature painter. At the age of 20, she came to Paris to study at the University of Plastic Arts and at the Beaux-arts and she discovered painting. While teaching, she never stopped painting. [...]

Raphaëlle Pia is a nature painter.
At the age of 20, she came to Paris to study at the University of Plastic Arts and at the Beaux-arts and she discovered painting. While teaching, she never stopped painting. Fascinated by this culturally rich city, she settled there permanently.
Today she occupies a painter’s studio overlooking a natural garden next to the Paris Père Lachaise cemetery, which satisfies her taste for nature. Through the windows, she sees the seasons go by and sometimes she tries to transmit what she observes as in the series of SPRINGS.
The subjects of her paintings are often captured in the countryside or forests. But they are presented and painted differently, combining figuration, abstraction and strange surface effects, far from the usual models.
Surprising the viewer's eye and opening the door to new sensory possibilities is the basis of her work.

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