The Irishman (1996) Painting by Rachele De Dominicis

Oil on Other substrate, 11.8x11.8 in
$986.88
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
Mounted on Other rigid panel
This artwork appears in 4 collections
  • Original Artwork (One Of A Kind) Painting, Oil on Other substrate
  • Dimensions Height 11.8in, Width 11.8in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $1,000 Figurative Men portraits
I ritratti sono ispirati dagli innumerevoli volti che incontro al bar mentre sono intenta a bere un cappuccino, li memorizzo nei loro tratti principali e relative espressioni perlopiù pensierosi quasi estranei a se stessi. About this artwork: Classification, Techniques & Styles. Oil. Paint consisting of pigments bound with linseed oil or carnations. [...]
I ritratti sono ispirati dagli innumerevoli volti che incontro al bar mentre sono intenta a bere un cappuccino, li memorizzo nei loro tratti principali e relative espressioni perlopiù pensierosi quasi estranei a se stessi.

Related themes

Stile OniricoAstrazione PittoricaPost-ImpressionismoPoeticoLirico

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I am an Experimental artist, in these 40 years I have immersed myself in the different historical realities of modern and contemporary art. I have always used forms and concepts of naturalistic inspiration, and [...]

I am an Experimental artist, in these 40 years I have immersed myself in the different historical realities of modern and contemporary art. I have always used forms and concepts of naturalistic inspiration, and then transposed them into my inner experience, elaborating them a second time to transfer them into a functional linguistic code.

I am inspired by flowers for the enchantment I feel in observing the power and magnificence of a flower in its maximum ethereal expression, fragility to represent my own existence.

The landscape is my favorite subject in complex abstract realizations, I work by generally processing my photographs, trying after the first (naturalistic) sketches to bring to the surface from my memories, the emotions and dreams induced by that vision by abstracting everything I can synthesize.

The portraits are inspired by the countless faces I meet at the bar while I'm intent on drinking a cappuccino, I memorize them in their main features and their mostly thoughtful expressions, almost foreign to themselves.

The main techniques used:

The pastel is a technique that I used in childhood, studying at the Salesians was a moment of total evasion and concentration for me when I reproduced drawings that I found interesting in textbooks. Today this technique in its slow and necessarily contemplative execution allows me to still find that serenity.

Gouache-style gouache on canvas is a technique that I learned at the Albertina Academy working with a great expert like Sergio Saroni, unlike the pastel that I use in many other works, gouache allows me to be fast and spontaneous without taking anything away from the expressiveness of the subject.

Using oil was a challenge for me after the various experiences with the other techniques inherent to my essence as an artist, I immediately loved its potential, such as viscous fluidity, extended backgrounds, transparencies and much more to experiment in the future, perhaps...

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