"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine prints-
This work is an "Open Edition"
Photography,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Categories Conceptual Art
Et surtout comment tiens la lanterne sus pendue?
Et surtout comment une lumière éteinte
peut rester accrocher à l'ombre d'une branche?
Il y a donc un ombre blanche sous l'ombre.
Well, what azure perspective?
And how to hold the hanging lantern?
And especially how a light out
can hang on the shadow of a branch?
So there is a white shadow under the shadow.
Bueno, ¿qué perspectiva azul?
¿Y cómo sostener la linterna colgante?
¿Y especialmente cómo una luz puede colgar en la sombra de una rama?
Así que hay una sombra blanca bajo la sombra.
حسنًا، ما هو منظور Azur؟
وكيف تمسك القنديل المعلق؟
وبشكل خاص كيف يمكن أن يعلق الضوء على ظل
الفرع؟
لذا فهناك ظل أبيض تحت الظل.
Azur はどのような見方をしていますか？
そして吊り下げ式のランタンを握る方法をか。
そして特にライトが枝の影で掛かることができるか。
そのため、シャドウの下には白い影があります。
מה נקודת המבט של אזור?
ואיך להחזיק את הפסים התלויים?
ובעיקר איך אפשר לתלות על צלו של ענף
מסוים?
אז יש צל לבן מתחת לצל.
Related themes
Rbio, painter and photographer, embarks on an artistic journey where patience, additions, and wonder guide him. In this quest, he explores the territories where all the impressionists have preceded, seeking to dissolve the absolute in everything and nothing, to capture color within lived tonality, to reveal the unspeakable in everyday life, and to finding rarity in greatness.
His art is nourished by the absorption of nuance by the fragment, the reconstitution of the whole by shattering and dispersion. He approaches the unity of perception by exploring the tingling of sensations, while moving forward in time, similar to the pattern of sounds on a pianist's melodic line.
With every step, Rbio adds a glimmer of hope, more hues to every color, and more green to every rustle of leaf, branch, and tree. It inscribes so many clarity and constraints in the palette of nature and living things. Its artistic skin and adornment are constantly reinvented to keep pace with the renewal of perceptions, even if they are subject to the taint of the pangs of mediocrity.
Rbio tirelessly attempts to master the pure matter, dissolution, and perpetual fission of each element of his artistic work. He seeks to maintain the fusion of interlacing and exalted hues. However, by dint of careful retouching of every detail, he risks confusing his inescapable need for an artistic dream with reworked fictional realities.
Throughout his artistic exploration, Rbio penetrates deeper into the world of the tiny, where each fractal smiles and takes on its personality. Little by little he manages to perceive the path which guides him towards the barbaric and dazzling transcription of all percepts. In this process, he discovers the tangled hues of the undergrowth which suddenly emerge after the relative darkness of the high forests.
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Nationality:
FRANCE
- Date of birth : unknown date
- Artistic domains:
- Groups: Contemporary French Artists
