The fight (2021) Printmaking by R.M.

Printmaking on Paper, 9.8x8.3 in
$169.47
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The linocut piece depicts a dynamic and intense scene in black and white. The stark contrast between the two opposing elements enhances the dramatic nature of the composition. The canvas showcases two Japanese tigers engaged in a fierce battle, their powerful bodies rendered with bold linework that emphasizes their strength and agility. The[...]
The linocut piece depicts a dynamic and intense scene in black and white. The stark contrast between the two opposing elements enhances the dramatic nature of the composition. The canvas showcases two Japanese tigers engaged in a fierce battle, their powerful bodies rendered with bold linework that emphasizes their strength and agility.

The background is kept minimal, allowing the central focus to be on the confrontation between the tigers. The artist skillfully captures the tension in the air as the two creatures fiercely compete for a lone fish. The fish, situated at the center of the composition, becomes a symbolic representation of the struggle for survival.

The linocut technique adds a textured quality to the piece, with each stroke of the carving tool leaving a distinct mark on the surface. This method not only emphasizes the graphic nature of the design but also adds a tactile dimension to the artwork.

The absence of color enhances the overall impact of the piece, emphasizing the raw energy and primal nature of the scene. The choice of black and white allows for a focus on the interplay of light and shadow, creating a visually striking and emotionally charged linocut that captures the essence of the intense struggle between the Japanese tigers over their prey.

Related themes

SurvivalFightJapanesetigerFishDetailed

Illustration Survival Fight japanesetiger fish detailed small dotwork
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R.M. Portrait
R.M.
Lithuania
From the time I could hold a pencil, I've been sketching away, lost in the magic of creating something out of nothing. Funny thing is, I didn't follow the typical route. Fashion design was the initial[...]

From the time I could hold a pencil, I've been sketching away, lost in the magic of creating something out of nothing. Funny thing is, I didn't follow the typical route. Fashion design was the initial calling, but it turned out that my heart wasn't quite in it. So, back to the drawing board—or canvas, in my case—I went.

I didn't learn art in a classroom. No formal training for me. Instead, I let my curiosity be my guide, delving into the realms of fashion design and later returning to my true love—art. The process became my teacher, and the result? A mix of DIY experiments, linocut adventures, painting escapades, and a dash of graphic art thrown in for good measure.

What you see here is a reflection of my refusal to be confined. I'm not afraid to mix techniques, to blend and blur the lines between styles. The gallery is a living, breathing testament to my love affair with the unpredictable, the experimental, the beautifully chaotic.

My inspiration? It's all around me—the people, the animals, the colors of nature. I take these everyday wonders and infuse them with a dose of the present—contemporary issues, dreams, and a sprinkle of imagination. Each piece is a journey, a collision of the mundane and the surreal.

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