SharkyPopV5 (2022) Painting by Pierre Lamblin

Pierre Lamblin wants to present this superb fish which is the shark from a playful and reassuring Pop angle, and to move away from this image of man-eater. Our fears are born from the information that we are sent, and the shark is not a monster but rather a majestic fish!
This Work is composed of layers of aluminum spaced from each other by 1cm. Each layer has a different color and shape which gives an aspect of depth to the work, a projection and a different point of view depending on the angle of the gaze.
In a world where all artists tend to do the same style Pierre Lamblin innovates by inventing his own style the Multi Layers.
To learn more about my work and this work watch the attached video
or my instagram "pierre__lamblin"

BORN IN 1973, PIERRE LAMBLIN IS A CANNES VISUAL ARTIST. AFTER A SUCCESSFUL PROFESSIONAL CAREER, AT AGE 40 HE DECIDED TO DEVOTE HIMSELF TO HIS LIFELONG PASSION: ART. HE THEN SET UP HIS GALLERY-STUDIO ON THE OLD PORT OF CANNES A FEW METERS FROM THE RED CARPET, HIS SHOWROOM IN MONACO AND HAS THUS EXPOSED HIMSELF TO AN INTERNATIONAL CLIENTELE REGULAR TO THE FRENCH RIVIERA. HIS WORKS ARE TODAY PART OF CONTEMPORARY ART COLLECTIONS AROUND THE WORLD AND HIS CLIENTS INCLUDE MANY PERSONALITIES AS WELL AS BUSINESSMEN. Inventor of a unique art style, MultiLayers, Pierre Lamblin seeks to reproduce the abyss and literally invites the viewer to immerse themselves and dive into his works like a diver discovering a wreck. From 3 to 4 plates, he manages to reproduce complex volumes. He encapsulates his works for eternity thanks to a thick and transparent material: epoxy resin. Through his art, Pierre Lamblin strives to convey a feeling of joy, he wants readable and interpretable works. These explore in turn concepts that are dear to him: consumer society, climate, social networks ... Among his favorite themes, we can cite childhood with sculptures representing characters like Mickey, but also nature with sculptures of wild animals.
In love with his work as a visual artist as he is with his city, Cannes, Pierre Lamblin likes to make his art known directly to his public. In the manner of street art where the artist tags the facades with no other goal than to share his art, Pierre sows his creations in the Cannes countryside. A way of marking his territory while letting his works speak… This way of doing things, “in the wild”, takes on its full meaning in his experimentalist approach. Indeed, Pierre Lamblin does not want to fit into the mold of artists who copy each other, he claims his creative independence.

He readily quotes Oscar Wilde to express his philosophy: “The artist must not lower himself to being the public’s lackey. On the one hand, I am grateful to be appreciated by the actors and the public. And, on the other hand, I believe that humility is the quality of hypocrites, modesty the quality of the incompetent. The duty and privilege of the artist is self-affirmation.”
A nature enthusiast, he has been interested in the microcosm of insects for his latest works, and more particularly that of ants. On his own initiative, he invested in public space by placing wire sculptures representing ants in the parks and roundabouts of his city. Many of them ended up in the hands of art lovers, thieves and unscrupulous people, who helped themselves for free. But two giant ants, one of which is wearing a parachute, are still currently leading their little lives in a public garden in Cannes. His desire behind these atypical creations? To challenge spectators. To remind them that ants are everywhere around us and that perhaps we should be inspired by their behavior, by their way of life that is both united and hierarchical. It is also a roundabout way for Pierre Lamblin to invite the viewer to become more aware and responsible: if we continue to do whatever we want with the planet, maybe we could soon have ants of this size…

An experimental artist at heart, Pierre Lamblin finds it very interesting to exhibit in this way directly in contact with the public. He admits that you have to be a little crazy to act in this way because of the foreseeable risks of theft, and yet he continues, proud of his art. He hopes to encourage other artists to exhibit their creations for all to see. Maybe then, Cannes could become a life-size exhibition space all by itself…

Related themes

SharckRequinOceanPoissonGrand Bleu