Infinity Road (2023) Fotografia por Photospoon

Papel de belas artes, 11x8 in
  • Este trabalho é uma "edição aberta" Fotografia, Giclée / Impressão digital
  • Dimensões Vários tamanhos disponíveis
  • Vários suportes disponíveis (Papel de belas artes, Impressão no metal, Impressão em telas)
  • Moldura Quadro disponível (Quadro flutuante + sob o vidro, Quadro + Sob Vidro Acrílico)
  • Categorias Campo
In a smallish town in the Lowcountry of South Carolina is a place called Rose Hill. It’s titled after a man named John Rose, who owned the land back in the 1700s. His name stuck through the years because before that it was called, Devil’s Elbow. (Yikes!) In that timeless place stands a house built in the late 1800s. Of course, it wasn’t finished because [...]
In a smallish town in the Lowcountry of South Carolina is a place called Rose Hill. It’s titled after a man named John Rose, who owned the land back in the 1700s. His name stuck through the years because before that it was called, Devil’s Elbow. (Yikes!) In that timeless place stands a house built in the late 1800s. Of course, it wasn’t finished because there was a war but it was a lovely dwelling. A New York socialite bought it in 1945 and she fully developed the property. It was so beautiful it was featured in Vogue Magazine in 1952. She raised race horses there. But then time marched on and the mansion fell into ruin. Then, there was a fire. In the early 90s, the man who created the Robb Report bought it and finished it again. But time marched on and the mansion again fell into ruin, albeit not a badly as before. Now, someone has saved it once more and turned it into a wedding and event venue. It’s beautiful once again. This image is of the road that takes you there. It’s shrouded in mist and time and, really, it’s a road that leads to both the past and the future. You just have to know where you’re headed.

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This is art for the tastemakers: the interior designers who sculpt sanctuaries, the collectors who seek soul in their walls. My work draws from a tradition of elegance—think the poised restraint of early pictorialism, [...]

This is art for the tastemakers: the interior designers who sculpt sanctuaries, the collectors who seek soul in their walls. My work draws from a tradition of elegance—think the poised restraint of early pictorialism, kissed by modern clarity. Here, every piece is destined to elevate spaces and spark conversation or create a haven of loveliness. My art is for people like me—those who laugh at life’s messes and still crave beauty that lasts.

I hope my art inspires people to put more real Art in their homes rather than cheap decor from from Amazon, Walmart, or Temu. I hope it inspires more people to collect and invest in Fine Art. I hope they begin to start art collections for their grand children and giving Fine Art as wedding gifts, graduation gifts, and other meaningful milestones.  

Because, as she says, "I find the stories of art collectors are intrinsically part of the pieces they collect. It is the artists that tell all our stories. That makes art into a creatively forged kinship between artist and collector. So, in all my work, I hope people see my work as a mirror of their own fineness and value. It's really yours. I made it for you."

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