La Cava Sin Cabales (2023) Painting by Philippe Toneut

Acrylic on Canvas, 35.4x23.6 in
$1,873
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Fine art paper, 11x8 in

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This artwork is framed
Mounted on Wood Panel
This artwork appears in 1 collections
  • Limited Edition (#2/3) Painting, Acrylic on Canvas
  • Number of copies available 1
  • Dimensions 39.4x35.4 in
    Dimensions of the work alone, without framing: Height 35.4in, Width 23.6in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed
  • Categories Paintings under $5,000 Pop Art Cartoon
Dos líquidos que a muchos encantan, alteran los sentidos y cambian la química cerebral, unas veces para mejor y otras. Depende de quien los consume. No importa cual sea el momento en que se beban, siempre debería existir algo bueno que nos generen, son uno de los inventos de la gastronomía que se comparte a nivel mundial. Fantasías y realidades quien [...]
Dos líquidos que a muchos encantan, alteran los sentidos y cambian la química cerebral, unas veces para mejor y otras... Depende de quien los consume.
No importa cual sea el momento en que se beban, siempre debería existir algo bueno que nos generen, son uno de los inventos de la gastronomía que se comparte a nivel mundial.

Fantasías y realidades quien sabe cual es cual, nadie ni nada puede alterar tu propio estado de conciencia, excepto si tu lo deseas o lo permites, hasta para eso hay que tener el valor de oponerse firmemente, de poder tener tal control de nosotros, eso que se llama fuerza de voluntad, cuando tenemos creencias firmes, que aún si te pintan color de rosa las vasijas tu saber que adentro va otra cosa.

¿Así que la cava del café y el vino tiene cabales en tu persona? O es sólo por decencia que discriminas...

Related themes

MikeyPantera RosaCavaCabalVino

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Oscar Felipe Toneut Morales Born on May 1, 1995 in Havana, Cuba, in the midst of the country's economic decline. A social event that has affected a people for 28 years, which brought about a psychological change [...]

Oscar Felipe Toneut Morales Born on May 1, 1995 in Havana, Cuba, in the midst of the country's economic decline. A social event that has affected a people for 28 years, which brought about a psychological change in the artist at the age of 12 that led him to express himself through art in a self-taught way.

His parents, upon seeing his talent, tried to direct him to the cradle of Cuban art, making an effort to enroll him in the most prestigious school in the country, "San Alejandro".

After several attempts and being denied the possibility of entering San Alejandro, he managed to begin his studies at the School of General Arts Instructors in 2010; this school is based on the implementation of revolutionary principles and ethics, which planted in the artist a desire to express his longing for a change in the government system. During his studies at the institution, his dreams of free expression were overshadowed and silenced due to the lack of freedom of expression implemented in government schools.

After completing his studies, he specialized in plastic arts at the Casa de la Cultura in the Cerro municipality, where his interest in surrealism and the deformation and reinterpretation of reality that reinvents a new subjective and metaphorical world began. It was at that moment that the artist began to collect all the elements and facts that have marked his life and capture them in his works. At this point he begins his professional career and starts creating his first works.

Felipe had a childhood full of confusion. His father decided to abandon his mother when he was not even born, so he grew up surrounded by only two women, his mother and his sister. Because of this, the artist always tended to focus on seeing beauty as only women know how to see it.

Thus, with an effeminate character and tastes, Felipe only represents women in his paintings with whom he reinterprets and describes himself, just as the artist expresses in a phrase that I quote in his graduation thesis: "Woman is the purest and most sincere being that can be represented in a plastic work."

Needles, balloons and childish objects are elements that the artist frequently depicts with a very symbolic character. The balloon, for example, on most occasions represents his brief childhood interrupted by obligations and objectives that brought with them an early maturity and focus. The needles represent the danger of bad influences that we sometimes allow to affect and modify our essence and decision-making.

For the artist, the theory that there are parallel worlds is always palpable in his work, he almost always tries to give a primordial place to these hypothetical dimensions that come together in time and space at crucial moments in our lives where we make decisions and things happen to us that will mark us forever.

See more from Philippe Toneut

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Painting titled "Orange Time" by Philippe Toneut, Original Artwork, Oil
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Sculpture titled "Reloj de Arena" by Philippe Toneut, Original Artwork, Polymer clay
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Painting titled "En Tiempos de Frida" by Philippe Toneut, Original Artwork, Acrylic Mounted on Wood Stretcher frame
Acrylic on Canvas | 31.5x27.6 in
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Painting titled "Apóstata" by Philippe Toneut, Original Artwork, Oil
Oil on Canvas | 31.5x39.4 in
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