HEURE DE POINTE (2024) Digital Arts by Philippe Jan-Beroca

Digital Arts, 27.6x19.7 in
$1,292.25
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Ready to hang
Mounted on Aluminium
This artwork appears in 1 collections
Dans cette illustration de la série “Nuits de Paris”, Philippe Jan-Beroca explore le thème de l’invisible et de l’absurde dans les lieux emblématiques de la ville de Paris. Intitulée “Heure de pointe”, l’œuvre se déroule sous le célèbre pont de Bir-Hakeim, un site touristique emblématique, souvent visité pour ses vues spectaculaires et son architecture [...]
Dans cette illustration de la série “Nuits de Paris”, Philippe Jan-Beroca explore le thème de l’invisible et de l’absurde dans les lieux emblématiques de la ville de Paris. Intitulée “Heure de pointe”, l’œuvre se déroule sous le célèbre pont de Bir-Hakeim, un site touristique emblématique, souvent visité pour ses vues spectaculaires et son architecture métallique.

La scène, plongée dans l’obscurité de la nuit parisienne, montre deux cyclistes lancés dans un sprint intense sous la structure massive et élégante du pont, comme s’ils étaient pris dans la frénésie d’un embouteillage invisible. L’artiste joue sur le paradoxe entre le titre “Heure de pointe” et la composition : alors que ce terme évoque des foules entassées, ici seuls deux personnages occupent l’espace, amplifiant un sentiment de solitude dans ce lieu habituellement fréquenté.

Les lampadaires tamisés jettent une lumière douce qui accentue l’atmosphère onirique et presque fantomatique de la scène. Cette juxtaposition entre le dynamisme du sport et le calme nocturne de Paris sous le pont de Bir-Hakeim crée une tension poétique, où la frénésie de la ville semble suspendue dans un instant de tranquillité surréaliste.

Related themes

Philippe Jan-BerocaNuits De ParisHeure De PointePont De Bir-HakeimCyclistes

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. Philippe Jan-Beroca is an illustrator artist combining traditional drawing and digital, mixed media. In his work, he gives a special place to the portrait. He takes his models from existing documents or from [...]

Philippe Jan-Beroca is an illustrator artist combining traditional drawing and digital, mixed media. In his work, he gives a special place to the portrait. He takes his models from existing documents or from his camera, draws them and then reworks them on graphics software to finalize them. He offers portraits, paintings, a representation of personalities of places or objects of his own imagination.

Born in 1966 in Montmorency, he showed his talent for drawing very early on and was already scribbling in his school notebook the women represented in the works of Toulouse-Lautrec and Degas. After studying law, he decided to devote all his energy to his passion and ended up spending three years under the tutelage of the engraver Georges Guiraud at the Cité des Artistes on Avenue d'enfer Rochereau in Paris. He then joined the house of Pierre Balmain as an assistant designer of accessories and objects. In 1990, he went to Montreal and New York armed with his camera, taking "the street only in taxis". Back in Paris in 1992, he discovered the world of advertising, as an artistic director for agencies, Y&R, Publicis, BETC and other advertising agencies. Philippe Beroca has incorporated the right mix of drawing classics and digital innovation. Passionate about scenography, his scenarios dissect his subjects down to the "bone", revealing only the essential...

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