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A travers le moucharabieh (2020) Drawing by Grubert
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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.

Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.

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Usage: Web Licence
1500 px | ||
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1138 px |
Dimensions of the file (px) | 1500x1138 |
Use worldwide | Yes |
Use on multi-support | Yes |
Use on any type of media | Yes |
Right of reselling | No |
Max number of prints | 0 (Zero) |
Products intended for sale | No |
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Art image bank-
Original Artwork (One Of A Kind)
Drawing,
Ink
/
Marker
/
Ballpoint pen
on Paper
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Dimensions
16.9x20.5 in
Dimensions of the work alone, without framing: Height 11.8in, Width 15.8in - Framing This artwork is framed
- Categories Drawings under $500 Abstract Esotericism
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Je suis né le 2 juillet 1965 à Nemours, petite ville de Seine et Marne, à 15 km de Fontainebleau, au bord du Loing, au pays des impressionnistes et de l’école de Barbizon.
Diplômé de philosophie, j’ai exercé de nombreux métiers tels que ouvrier spécialisé, éditeur, enseignant... Mes recherches portent principalement sur les couleurs, sur la force et le pouvoir qu’elles manifestent, notamment lors de l’apparition accidentelle des images. A la différence des formes toujours porteuses de significations bornées et finies, les couleurs se suffisent à elles-mêmes. Elles nous ouvrent de nouvelles portes sur le réel et parfois même, portées par les aléas du hasard, elles semblent nous révéler des passages vers une infinité de possibles. Les techniques brutes et minimalistes du grattage, du frottage et de l’arrachage, le choix du couteau comme unique outil au service d’une composition réalisée dans l’instant et résolument abstraite, ont pour but de souligner la dimension arbitraire et incertaine de notre prétention à comprendre le monde.
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Nationality:
FRANCE
- Date of birth : 1965
- Artistic domains:
- Groups: Contemporary French Artists