Atlantis in the mirror (2014) Photography by Philippe Dunlearry
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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About our fine prints-
This work is an "Open Edition"
Photography,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Categories Surrealism Architecture
Photography composed in London, United Kingdom in Spring 2014
A lovely spring day showing incredible colours and shapes n the water.
Can be print out on a very large size as it has a very high resolution.
Recommended 60*40 Format.
Related themes
Philippe Dunlearry is a London-based photographer who is fascinated by big capital cities. He takes his initial images in accordance with classical representational norms.
He so wanted to disassociate himself from this visual landscape imbued with history and referential temporality in favor of an urban space devoid of historical significance. His goal is to discover ways to disrupt established conventions in order to depict spaces in motion, "things" that change and transform.
He created light reflections without the aid of picture processing software, specialized cameras, or specialist filters. As a result, whatever they are, and with no other medium than light, he attempts to subvert any referential value, as the components used to cause the urban scene to degrade into abstraction.
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Nationality:
UNITED KINGDOM
- Date of birth : unknown date
- Artistic domains:
- Groups: Contemporary British Artists
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