"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1500 px | ||
|
893 px |
| Dimensions of the file (px) | 1500x893 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
Download immediately upon purchase
This image is available for download with a licence: you can download them at anytime.
Restrictions
All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
This work is an "Open Edition"
Digital Arts,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Artwork's condition The artwork is in perfect condition
- Categories Conceptual Art Flower
de voir l'autre côté de notre univers. Inconsciemment, dans le menu de Photoshop, j'ai fait un négatif de cette vue. Les étoiles devenaient rouges ou orangées comme des coquelicots et les filaments de matières devenaient les tiges ! Pour suivre le concept, j'ai peint numériquement d'autres coquelicots disséminés parmi les galaxies en négatif et ajouté notre univers positif comme fond .
Cette image a été conçue et réalisée par un cerveau humain.
Related themes
I was born in a hamlet in the countryside in Pas de Calais in 1960, my parents were farmers before taking over a business selling curtains.
I chose after my baccalaureate to follow artistic studies which led me to teaching. Now retired, I was an art teacher for many years.
With my wife, Anne-Catherine Blanc, writer, we lived for 6 years in French Polynesia. It was there that I started painting with pastels again and had my first personal exhibition in Papeete at the 'Olivier- Créations' gallery
In 2008, I started using computers to discover new creative possibilities that I discovered. I then tried to transmit to my students.
This is how a series of digital images began that I called "Remix- Art".
Here is the approach:
Like a DJ who revisits a musical piece, I am a copy-paste of masterpieces. With all the resources of an image studio, I combine, assemble, divert and recompose classic paintings: mixing, in a way.
But, beyond creative effects of digital technology, these collages, “new old paintings”, offer a contemporary, surreal and subversive rereading of classic works.
In 2019, fascinated by images from the Hubble satellite, I #039;created another series that I call
"Galaxie-Pixels" . With digital tools, I compose 2D images from photographs of the cosmos or shots from space telescopes. Then, thanks to digital painting, galaxies, nebulae, stars, supernovas, black holes take on a new poetic or fantastic dimension.
At the same time, I continue to paint with tempera or pastels in my studio in the eastern Pyrenees where I now live.
-
Nationality:
FRANCE
- Date of birth : 1960
- Artistic domains:
- Groups: Contemporary French Artists
