"1957" Série Chromes à rebours (2018) Painting by Philippe Barluet

Gouache, 7.9x7.9 in
$740.18
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This artwork appears in 2 collections
  • Original Artwork Painting, Gouache
  • Dimensions Height 7.9in, Width 7.9in
  • Categories Paintings under $1,000
Illustration au feutre et crayon sur papier cartonné représentant l'année de sortie de la Chevrolet Corvette, qui révolutionne les standards de l'esthétique. Spoutnik fait des révolutions autour de la Terre, Gaston fait exploser le mythe du travail, Kérouac nous conseille de tailler la route et Bob incite les jeunes à déserter le Vietnam. Mais 1957 [...]
Illustration au feutre et crayon sur papier cartonné représentant l'année de sortie de la Chevrolet Corvette, qui révolutionne les standards de l'esthétique. Spoutnik fait des révolutions autour de la Terre, Gaston fait exploser le mythe du travail, Kérouac nous conseille de tailler la route et Bob incite les jeunes à déserter le Vietnam. Mais 1957 c'est aussi l'année de la disparition de Hardy et Laurel reste seul, le sommet du Broad Peak enfin atteind (8047 m d'altitude), la sortie de la "Les Paul" de Gibson, et le divin "Only you" des Platters. Oeuvre encadrée dans cadre en bois blanc et verre Format final 30 x 30 cm.

Related themes

Chevrolet CorvetteBob DylanGaston LagaffeThe Platters

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With 3 years of training at the Académie Charpentier and a career in advertising, my style comes from the "rough", quick drawing in felt to express a concept. I love the Pop Art, Warhol and Lichtenstein movement [...]

With 3 years of training at the Académie Charpentier and a career in advertising, my style comes from the "rough", quick drawing in felt to express a concept. I love the Pop Art, Warhol and Lichtenstein movement and comics that rocked and ultimately sweetened my childhood. I work on a whole series of illustrations on the theme of the beauties of the 60s / 70s, Ford Mustangs and other Corvettes, drawing inspiration from the events that took place the year of their release.
I propose a theme on Cuba and the old American cars of the 50s / 60s because I particularly like the chrome and the light they reflect but also the round and generous shapes. I also have a sympathy for the resistance in the USA, capable of the worst as well as the best (in Rock in particular), "Che" having become a Pop / Rock icon to which I pay a discreet homage. Work on reflections of metal and chrome, complexity of bodywork but also on the atmosphere of the streets, characters and architecture. These are illustrations in felt-tip pen that I re-increase in pencil for more relief and depth. I also work in black pencil and in particular by following the Ferrara Festival in Italy, being a musician myself.
I also offer a series "les p'tits crates" with fruit to make your mouth water! It's a different job on repetition, so the patience inherent in studying.

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