AI Suggestions
Artists
Artworks
Galleries
Sold
See more from Peter OtlanThe artist offers works on commission
Did you miss the opportunity to buy this work? Good news: the artist can also create a custom work, just for you!
Seller Peter Otlan
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
1052 px | ||
![]() |
1500 px |
Dimensions of the file (px) | 1052x1500 |
Use worldwide | Yes |
Use on multi-support | Yes |
Use on any type of media | Yes |
Right of reselling | No |
Max number of prints | 0 (Zero) |
Products intended for sale | No |
This image is available for download with a licence: you can download them at anytime.
All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bankDrawing was always a part of my life. I went to a school of art in Leningrad (St. Petersburg today). I had a teacher who taught me to feel reverence for works of art. He introduced me to Eugène Fromentin and his passionate relationship with Flemish painting.
I became a student of architecture, I was lucky with the professors. Among them we had Lazar Markovich Khidekel, a famous avant-garde artist, a student of Marc Chagall and a member of the Vitebsk group of artists led by Kazimir Malevich.
As a student I devoted much time to fine arts. I was a traditionalist and loved the past, paying much attention to classical architectural details. Professor Khidekel, who was noted for realizing the abstract and avant-garde Suprematist movement through architecture, tried to persuade me that nothing was impossible. Upon graduating from university I continued attending classes with Professor Alexander Pavlovich Zaytsev at the Leningrad Vera Mukhina Higher School of Art and Design. He introduced me to the school of analytical drawing. So I turned to the fine arts.
As a painter I kept participating in exhibitions of the Zaytsev School, had some shows at the Architect's House in St. Petersburg, and collaborated with galleries abroad including one in Kingston, Canada. The owner of that gallery bought a sequence of my works painted with acrylics. Today many of my works are in private collections in Japan, Canada and Germany.