«Whisper of scarlet cherries» (2008) Painting by Pavel Bunas

Oil on Canvas, 68.1x44.9 in
$11,155.03
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Fine art paper, 12x8 in

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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Mounted on Wood Stretcher frame
This artwork appears in 1 collections
  • Original Artwork (One Of A Kind) Painting, Oil on Canvas
  • Dimensions Height 68.1in, Width 44.9in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $20,000 Figurative Female nudes
The painting "Whisper of Scarlet Cherries" is a dramatic oil work that immerses the viewer in a world of sensuality and mystery. Two nude women, bathed in soft light, contrast with deep shadows and an abstract background, where dark swirls and crimson drapery create an illusion of eternal motion. The central figure, reclining relaxed on red folds, [...]
The painting "Whisper of Scarlet Cherries" is a dramatic oil work that immerses the viewer in a world of sensuality and mystery. Two nude women, bathed in soft light, contrast with deep shadows and an abstract background, where dark swirls and crimson drapery create an illusion of eternal motion. The central figure, reclining relaxed on red folds, seems frozen in a dialogue with her own vulnerability, partially veiled by white fabric. Her companion, holding two cherries, glances over her shoulder—a gesture balancing temptation and detachment.

The piece masterfully combines the texture of oil painting with chiaroscuro, emphasizing the fluidity of the bodies and emotional tension. The cherries—a symbol of fleeting pleasures—add layers of meaning, while the dark, abstract backdrop invites interpretation: is this a dialogue of souls, a metaphor for duality in human nature, or a visual poem about beauty and secrecy?

Ideal for collectors of contemporary art, admirers of dramatic interior pieces, and those seeking depth in minimalist form. This painting will become a striking focal point in any space, captivating attention and sparking unanswerable questions.

Unique work for your collection.

Related themes

Contemporary PaintingDrama In ArtNude ArtOil PaintingAbstract Background

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“Master of Portraits That Breathe” (A Biography Written in Paint). How a Blue Crow Gifted Me the Universe. At five years old, I drew a bird. Not just any bird—a blue crow on a scrap of wallpaper. My mother cried. [...]

“Master of Portraits That Breathe” (A Biography Written in Paint)

How a Blue Crow Gifted Me the Universe
At five years old, I drew a bird. Not just any bird—a blue crow on a scrap of wallpaper. My mother cried. Not from delight—she thought I was colorblind. But for me, it became the first lesson: art must stir a storm, even if it’s a hurricane of misunderstandings.

From then on, I never let go of my pencil. Dragons from children’s books, the faces of kindergarten teachers, clouds outside the window — I “digested” them all in sketchbooks like an alchemist seeking the formula for perfection. My parents gave up: at seven, I entered art school, where instead of primers, I studied Rembrandt.

Apprenticeship to the Rhythm of Commuter Trains
Glebovskoe School. Here, I discovered that people are the finest “landscapes.” Every morning, I rode to class in a packed train, turning the carriage into a laboratory. Passengers never suspected their wrinkles, smiles, and gestures were becoming sketches. I absorbed them like a sponge, then blended them with the ancient science of Ninsho-Goku — the art of face-reading practiced by Kyoto’s geishas. My secret? I don’t paint portraits. I decipher them.
— A wrinkle at the temple: the trace of sleepless contemplation.
— A spark in the eyes: an unspoken dream.
— Uneven lipstick: haste before an important meeting.

Teachers threatened expulsion for failing history but turned a blind eye when I exhibited portraits. “These aren’t paintings”, one said. “These are confessions”.

The Academy, or When Masterpieces Become Neighbors
At the Art Academy, I lived on two floors:
1. First floor — the studio, where I copied Vrubel and Serov. Sometimes, I felt the ghosts of masters standing behind me, nodding: “Don’t be afraid. Steal from us. But make it better.”
2. Second floor—reality. Exhibitions where strangers approached and said: “Paint my daughter. She’s gone, but I want her to live here.”

That’s when I understood: my paintings are not decorations. They are bridges between worlds.
_______________
P.S. If you’ve read this far—you’re ready for a dialogue. Let’s create not just a painting — an artifact that will outlive us.
_______________
Your artist,
Pavel Bunas

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