판매완료
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판매자 Paul Hilario
귀하의 웹 사이트, 커뮤니케이션에 이 이미지를 사용하거나 파생 제품을 판매하려면 라이센스를 구입하십시오.
Usage: 웹 라이선스
| 1116 px | ||
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1500 px |
| 파일의 크기 (px) | 1116x1500 |
| 전 세계적으로 사용 | 네 |
| 다중 지원에 사용 | 네 |
| 모든 유형의 미디어에 사용 | 네 |
| 재판매 권리 | 아니오 |
| 최대 인쇄 매수 | 0 (Zero) |
| 판매용 제품 | 아니오 |
구매 즉시 다운로드
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제한
ArtMajeur의 모든 이미지는 아티스트가 만든 원본 예술 작품이며 모든 권리는 엄격하게 보유됩니다. 라이선스를 취득하면 라이선스 조건에 따라 이미지를 사용하거나 활용할 수 있는 권한이 부여됩니다. 프로젝트에 완벽하게 맞도록 이미지를 재구성하거나 초점을 다시 맞추는 등 사소한 수정은 가능하지만 사전에 아티스트의 서면 승인을 얻지 않는 한 원본 작품의 무결성을 손상시킬 수 있는 수정은 금지됩니다(모양 수정, 왜곡, 절단, 색상 변경, 요소 추가 등 ...).
커스텀 라이선스
귀하의 사용이 당사의 표준 라이선스에 포함되지 않는 경우 당사에 연락하여 맞춤형 라이선스를 요청하십시오.
아트 이미지 뱅크The three doors at the back with symbols (heart, star, diamond) pertain to the doors of opportunities for love, fame and fortune. The last door with a rainbow is open. At the rainbow's end, they say, one can find a pot of gold. Each colored symbol (red, yellow, grey) is associated with a colored fruit. As the woman puts on a colored fruit , in this instance a grey fruit (fortune), on the hour glass, a respective same colored door opens. There is a limited time that this opportunity is available. As the sand runs out of the fruit, the corresponding door closes. Right now the woman is looking at love when the opportunity available is fortune. She is indecisive. At the back is a mask (thief) piercing through 2 doors. There is an expression that says "Indecision is the thief of opportunities". The woman has seemingly turned to stone for her indecisiveness. Plants with no fruits are symbols of opportunities that have passed.
관련 테마
I paint visual narratives. I try to create stories with themes that range from the blissful to the brooding. Typically, my compositions are laden with common and personal symbolism. My works seem to have disconnected elements but they are linked in the way that I see them. To the audience, however, they are like puzzles; open to varied personal interpretations.
I wouldn’t say I like to confine myself in a box. Some days I paint social commentaries. On other days I just paint my observations of issues that pertain to almost anything under the sun - this can be political, social, environmental, religious, cultural, and even agricultural. I try to paint realities in, out, and of life.
Early in my career as a painter, I was mostly doing rice field landscapes and rice farmers in an impressionist manner influenced principally by Vincent Van Gogh. I didn’t paint rice fields because it was popular but rather because of my heritage and professional background. My grandfathers were fittingly a rice farmer and an artist. I worked for a rice-centered international organization for 14 years before moving on full-time to my creative passion.
In 2021, one of my artworks, Toil Today Dream Tonight, a rice-scape artwork, went viral when it was mistakenly attributed to Vincent Van Gogh in various countries. Many enterprises unknowingly created merchandise from the image of my work.
Largely self-taught, I was mentored early in my professional art career by one of the Philippines' most respected artists – Marcel Antonio.
For painting methods, I prefer to use a modified Byzantine-era painting technique that helps me create layers of colors developed through multiple glazing. Shadow colors are richer, hard and soft edges have increased contrast, and I am able to create a sense of melodic feel to the painting.
It’s an often repeated story, almost a cliché, but discovering where my heart and mind truly belong was a process of almost four decades. I never really planned to be a painter, but that was my destiny after all. It was a calling I couldn't resist.
Aside from the Philippines, my works have found their way to Australia, Canada, Denmark, Dubai, Germany, Italy, Japan, Malaysia, Mexico, Netherlands, New Zealand, Saudi Arabia, Singapore, Switzerland, the UK, and the USA.
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국적:
필리핀
- 생년월일 : 1972
- 예술적 영역: 전문 예술가들의 작품,
- 여러 떼: 전문 아티스트 현대 필리핀 예술가
