Péchiney Ugine Kulhmann - 1 (1994) Photography by Pascaline

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Sites industriels du Nord de la France disparus aujourd' hui presque en totalité. Des allers-retours par des nuits ordinaires Après l' effervescence et le jour turbulent Des ténèbres qui ne cachent ni violences, ni misères Mais des promesses de mystères Des connivences avec le silence Nuits d' errances,[...]
Sites industriels du Nord de la France disparus aujourd' hui presque en totalité.
Des allers-retours par des nuits ordinaires
Après l' effervescence et le jour turbulent
Des ténèbres qui ne cachent ni violences, ni misères
Mais des promesses de mystères
Des connivences avec le silence
Nuits d' errances, de questionnements
Et de doux agréments
Un monde occulte riche de signes
Quelques interprétations de lieux
Points de repères ou points de fuites ?
Une quête insatiable sous les cieux étoilés

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Black And WhiteIndustrieNuit

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Pascaline is a digital artist and professional photographer. Fascinated by this infernal couple Shadow and Light, she first devoted herself for several years to photographing Nights on existing industrial sites[...]

Pascaline is a digital artist and professional photographer. Fascinated by this infernal couple Shadow and Light, she first devoted herself for several years to photographing Nights on existing industrial sites in the region still in operation (Péchiney Ugine Kullmann – la Terken – Flipo - Masurel… .) as well as on the night atmospheres in the cities of the metropolis (Roubaix – Tourcoing – Lille and their outskirts). Then, she spent a lot of time discovering the alchemy made possible in this magical place where the revealing stop-fixing baths work magic and where the well-dosed mixtures of chemical products open the door to nuances of tones, to abstractions and the most astonishing diversions… During the day, she photographs children, parks, plants and flowers, water, forest, shadows, trees......

Pascaline is a self-taught artist born in 1961. She lives and works in Arras (France). She started photographing “life” in 1993. She devotes herself to social photography. She exhibits in galleries, as part of local initiatives and intervenes on demand in prisons, associations and schools. However, the need to reconstitute her own space/workshop becoming more and more pressing, she devoted herself to the production of new “images” as well as to writing.

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