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"Aya princesse Peul" (2024) Painting by Pascale Kuentz
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1500 px |
| Dimensions of the file (px) | 1125x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Pigments
on Paper
- Dimensions Height 13.8in, Width 10.6in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Paintings under $500 Figurative Women Portraits
Bientôt, lorsqu'elle fut en âge de se marier, elle ne trouva point de prétendant parce que sa beauté et son caractère rebelle faisait d'elle une paria. Elle finit par quitter son pays pour trouver endroit où elle pourrait vivre en paix et ne plus être inquiétée pour ses idées. En arrivant en France elle décida, que plus jamais personne ne lui manquerai de respect, et elle décida de consacrer sa vie à changer les mentalités dans son pays, et sa tribu. Elle souhaitait surtout montrer que les différences, (physiques, mentalités, caractères...etc) ne doivent pas nous laisser indifférents ni nous faire peur. Toute sa vie elle aura combattu l'obscurantisme et aura aidé des jeunes femmes à trouver leur place dans la société.
Je lui rend hommage aujourd'hui, ainsi qu'a toutes les femmes qui se battent pour un meilleur avenir pour les droits de femmes.
Related themes
A trained makeup artist, today it is no longer faces that I make up but canvases that I dress with colors, tissue paper and other textures that can be silky or matte, airy or dense, transparent or opaque... I like to let myself be guided by the paradoxes in this work of the material.
At the beginning I used oil, acrylic, pastels but my preference today goes to the NIHON-GA technique which uses mineral pigments and Japanese paper as a support. The use of pigments, as in my work as a makeup artist, is a return to the sources of this material that I particularly like.
Nihonga painting is fascinating!
It is a traditional Japanese style of painting that uses specific techniques and materials. It is a thousand-year-old painting that already in the 7th century, wanted to be ecological, which today is essential for me.
It is a unique blend of Japanese aesthetics and modern techniques. In my artistic approach in Nihonga painting, I explore the connection between nature and humans. I am inspired by magnificent landscapes and the natural elements that compose them, such as flowers, trees and mountains. I use natural pigments, generally based on minerals and shells, which I prepare myself. These pigments give my works a palette of soft and subtle colors, characteristic of Nihonga painting.
I also rely heavily on the mastery of traditional Nihonga painting techniques, such as "sumi-e" (Chinese ink painting) and "nashiji" (application of gold and silver leaf), to create unique textures and visual effects. In my paintings, I try to capture the essence of nature's ephemeral beauty and convey a certain serenity and spiritual connection. I like to represent the delicacy of flower petals, the strength of ocean waves or the tranquility of Zen gardens.
In short, my artistic approach in Nihonga painting focuses on the relationship between man and nature, using natural pigments and mastering traditional techniques to create works that celebrate the beauty and harmony of our natural environment.
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Nationality:
FRANCE
- Date of birth : 1959
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists
