Peuplier Blanc (2011) Painting by Pascale Kuentz

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Fine art paper, 10x8 in

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Dimensions of the file (px) 1142x1500
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Tableau réalisé avec une belle matière, huile, poudre de marbre. La majesté des ces arbres me fascine, tellement beaux, leurs troncs élancés blanc qui contrastent avec le vet argenté des feuilles. J'adore!!! About this artwork: Classification, Techniques & Styles. Oil. Paint consisting of pigments bound with linseed oil or carnations. The traditional [...]
Tableau réalisé avec une belle matière, huile, poudre de marbre.

La majesté des ces arbres me fascine, tellement beaux, leurs troncs élancés blanc qui contrastent avec le vet argenté des feuilles. J'adore !!!

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ArbresNatureMatièreTexture

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A trained makeup artist, today it is no longer faces that I make up but canvases that I dress with colors, tissue paper and other textures that can be silky or matte, airy or dense, transparent or opaque. I like [...]

A trained makeup artist, today it is no longer faces that I make up but canvases that I dress with colors, tissue paper and other textures that can be silky or matte, airy or dense, transparent or opaque... I like to let myself be guided by the paradoxes in this work of the material.

At the beginning I used oil, acrylic, pastels but my preference today goes to the NIHON-GA technique which uses mineral pigments and Japanese paper as a support. The use of pigments, as in my work as a makeup artist, is a return to the sources of this material that I particularly like.

Nihonga painting is fascinating!

It is a traditional Japanese style of painting that uses specific techniques and materials. It is a thousand-year-old painting that already in the 7th century, wanted to be ecological, which today is essential for me.

It is a unique blend of Japanese aesthetics and modern techniques. In my artistic approach in Nihonga painting, I explore the connection between nature and humans. I am inspired by magnificent landscapes and the natural elements that compose them, such as flowers, trees and mountains. I use natural pigments, generally based on minerals and shells, which I prepare myself. These pigments give my works a palette of soft and subtle colors, characteristic of Nihonga painting.

I also rely heavily on the mastery of traditional Nihonga painting techniques, such as "sumi-e" (Chinese ink painting) and "nashiji" (application of gold and silver leaf), to create unique textures and visual effects. In my paintings, I try to capture the essence of nature's ephemeral beauty and convey a certain serenity and spiritual connection. I like to represent the delicacy of flower petals, the strength of ocean waves or the tranquility of Zen gardens.

In short, my artistic approach in Nihonga painting focuses on the relationship between man and nature, using natural pigments and mastering traditional techniques to create works that celebrate the beauty and harmony of our natural environment.

See more from Pascale Kuentz

View all artworks
Painting titled ""Sweet home"" by Pascale Kuentz, Original Artwork, Pigments Mounted on Wood Stretcher frame
Pigments on Paper | 19.7x19.7 in
$843.62
Painting titled ""Jane for ever"" by Pascale Kuentz, Original Artwork, Pigments Mounted on Wood Stretcher frame
Pigments on Paper | 13.8x10.6 in
$415.87
Painting titled "Sakuras acidulés, 5…" by Pascale Kuentz, Original Artwork, Pigments Mounted on Wood Stretcher frame
Pigments on Paper | 17.7x19.7 in
$1,009.97
Painting titled ""Les Lotus" 55 X 45…" by Pascale Kuentz, Original Artwork, Pigments Mounted on Wood Stretcher frame
Pigments on Paper | 17.7x21.7 in
$1,009.97

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