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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.

Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.

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About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
1142 px | ||
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1500 px |
Dimensions of the file (px) | 1142x1500 |
Use worldwide | Yes |
Use on multi-support | Yes |
Use on any type of media | Yes |
Right of reselling | No |
Max number of prints | 0 (Zero) |
Products intended for sale | No |
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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Oil
/
Pigments
on Linen Canvas
- Dimensions Height 57.9in, Width 44.9in
- Framing This artwork is not framed
- Categories Paintings under $5,000 Impressionism Tree
A trained makeup artist, today it is no longer faces that I make up but canvases that I dress with colors, tissue paper and other textures that can be silky or matte, airy or dense, transparent or opaque... I like to let myself be guided by the paradoxes in this work of the material.
At the beginning I used oil, acrylic, pastels but my preference today goes to the NIHON-GA technique which uses mineral pigments and Japanese paper as a support. The use of pigments, as in my work as a makeup artist, is a return to the sources of this material that I particularly like.
Nihonga painting is fascinating!
It is a traditional Japanese style of painting that uses specific techniques and materials. It is a thousand-year-old painting that already in the 7th century, wanted to be ecological, which today is essential for me.
It is a unique blend of Japanese aesthetics and modern techniques. In my artistic approach in Nihonga painting, I explore the connection between nature and humans. I am inspired by magnificent landscapes and the natural elements that compose them, such as flowers, trees and mountains. I use natural pigments, generally based on minerals and shells, which I prepare myself. These pigments give my works a palette of soft and subtle colors, characteristic of Nihonga painting.
I also rely heavily on the mastery of traditional Nihonga painting techniques, such as "sumi-e" (Chinese ink painting) and "nashiji" (application of gold and silver leaf), to create unique textures and visual effects. In my paintings, I try to capture the essence of nature's ephemeral beauty and convey a certain serenity and spiritual connection. I like to represent the delicacy of flower petals, the strength of ocean waves or the tranquility of Zen gardens.
In short, my artistic approach in Nihonga painting focuses on the relationship between man and nature, using natural pigments and mastering traditional techniques to create works that celebrate the beauty and harmony of our natural environment.
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Nationality:
FRANCE
- Date of birth : 1959
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists