Born in Brussels in 1956, Courcelles studied art at the Institut Saint-Luc in Brussels and in
Tournai, between 1972 and 1979. Since then, he has built a vibrant artistic path, with solo and
group exhibitions across Belgium, Italy, Japan, Lebanon, and beyond. But it is his visual language
that leaves the deepest impression: profoundly sensorial, composed of layers, material, and color,
not as an end, but as a process.
His painting is part of a material lineage, where comparisons have been made with Michel Frère
or even Eugène Leroy. But unlike Leroy, whose brushstroke carried a nearly tragic pathos,
Courcelles paints from a vital impulse, in celebration of life. With each gesture bursts forth the joy
of color, the pleasure of chromatic vibration. His admiration for Riopelle is clear: both artists
explore the interweaving and layering of color, often in their pure state, explosive, like emotional
fireworks.
The work of Pascal Courcelles does not ask to be understood — it asks to be felt. It is vibration,
intuition, pleasure. And above all, it is a celebration of what is most simple and most essential: the
joy of painting.