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Le crépuscule du Dogon (2022) Painting by Pascal Buffard
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Original Artwork (One Of A Kind)
Painting,
Oil
on Linen Canvas
- Dimensions Height 28.7in, Width 23.6in
- Framing This artwork is not framed
- Categories Paintings under $1,000
Face à ces groupes djihadistes, par manque de moyens, l'armée et le gouvernement malien ont armé et financé des milices : les «dozo», qui ne sont pas un groupe ethnique mais une confrérie plus ou moins ésotérique de chasseurs traditionnels, principalement dogon ou bamanan, dont le rôle est d'assurer la sécurité des villages. Et devenus hors contrôle. Je suis allé à leur rencontre. Ils se déploient au bord de la route qui traverse le plateau, armés de kalachnikov, pour contrôler les véhicules. Leurs escadrons à motos sillonnent les axes principaux, sèment la terreur dans les villages. Sur les soixante kilomètres de la route qui relie Sévaré, près de Mopti, à Bandiagara à l'est, les grands troupeaux de zébus, les chapeaux coniques et les turbans du peuple peul ont disparu.
Le 23 mars 2019, des hommes en tenue de chasseurs dozo ont attaqué le village peul d'Ogossagou, dans le centre du pays. Ils ont incendié les cases, assassiné quelque 160 habitants et jeté leurs cadavres dans les puits. Deux mois plus tard, en représailles, Sobane-Kou, village dogon près de Mopti, a été ravagé. Bilan : 35 morts. Des massacres filmés au téléphone portable et diffusés sur les réseaux sociaux par les deux camps pour attiser la haine et la soif de vengeance. En novembre, un jeune peul m'a montré une de ces vidéos insoutenables. Avant d'ajouter, avec une froide détermination : «Tant qu'il restera un Dogon vivant, nous nous vengerons.»
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Pascal Buffard, painter and photographer, was born in 1961. His passion for art led him to take advertising and visual communication courses at EMSAT in Paris, where he acquired essential skills in the field. artistic. Currently, he lives and works in Charenton-le-Pont, but it is in Charente-Maritime, his homeland, that he mainly exhibits.
His artistic work addresses current issues with a critical eye, sometimes tinged with scathing humor. He explores themes such as overpopulation, wealth sharing, reality shows and disinformation through his series “Regards”. The big eyes present in his works actually symbolize cameras, highlighting the notion of seeing and being seen, as well as the issues of surveillance and voyeurism that characterize our modern society.
Pascal prefers to work in oil, using the technique of solvent removal for his abstractions. His portfolio includes numerous exhibitions, both personal and group, where he has won awards and attracted media attention. His works are part of numerous private collections, as well as private and public corporate collections. His artistic commitment allows him to express his vision of the world and to provoke reflection in those who contemplate his creations.
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Nationality:
FRANCE
- Date of birth : 1961
- Artistic domains:
- Groups: Contemporary French Artists
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