Helping Hand (1992) Photography by Panna Jain

Fine art paper, 12x8 in

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1500 px
Dimensions of the file (px) 1000x1500
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Art image bank
  • This work is an "Open Edition" Photography, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • Categories Impressionism Humor
I like to take photographs of the environment. I noticed this little chinese boy sitting in front of a group of mannequins. As to was composing the shot, the boy tried to get up, holding the hand of one of the mannequins. About this artwork: Classification, Techniques & Styles. Technic Photography. Photography refers to the combination of processes, [...]
I like to take photographs of the environment. I noticed this little chinese boy sitting in front of a group of mannequins. As to was composing the shot, the boy tried to get up, holding the hand of one of the mannequins.

Related themes

BoyKidMannequinHandHolding

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I was born in Rajasthan, the most colourful state in India. Growing up in such an environment had a significant impact on me and this has continued to reflect in my work. I studied painting and applied arts at [...]

I was born in Rajasthan, the most colourful state in India. Growing up in such an environment had a significant impact on me and this has continued to reflect in my work. I studied painting and applied arts at one of the most prestigious art institutions in India. Thereafter, I went to the UK to specialise in visual communication at the London College of Graphic Art where I also studied advanced photography.


On returning back to Mumbai, India, where I currently reside, I worked in many different disciplines in the field of advertising and visual art. Prestigious photography assignments enabled me to travel extensively across the globe and on these various trips, where I got the opportunity to visit some of the most famous museums in the world. Here I could closely observe the different schools of painting with their diverse styles. I was deeply influenced by some of the masters of the modern and contemporary art movements.


The last few years, I have been extensively exploring digital technology. This has resulted in my working on a series of digital paintings. I often integrate multiple images to create a tech-forward composition that tells a story. I believe a painting is not only a painter’s name, signature or typical style; it is the creation of his observation, vision and skill. Also, it is not just a passive piece of decoration but like music and poetry, it should evoke emotions and invite the onlooker to sometimes participate in the process of decoding the painting. In the future, I plan to add dimensions like motion and sound to some of my paintings to make them more interactive.

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