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Seaside Morning View 15 (2022) Painting by Otto Frühwach
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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
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About our fine prints-
Original Artwork (One Of A Kind)
Painting,
Digital Painting
on Linen Canvas
- Dimensions Height 47.2in, Width 78.7in
- Framing This artwork is not framed
- Categories Paintings under $5,000 Abstract
XXL-Format = 120 cm Höhe x 200 cm Breite.
Ein wunderbares raumbestimmendes Werk von Otto Frühwach.
Großformatiges digital geschaffenes Bild von Otto Frühwach.
Das einzige existierende Exemplar als signierter Leinwanddruck, ein UNIKAT und ORIGINAL.
Original handsigniert von Otto Frühwach auf der Vorderseite rechts unten und verso.
Verso betitelt und original handsigniert von Otto Frühwach und als einziges Exemplar als mit der Unterschrift von Otto Frühwach als Original echtheitszertifiziert.
Nach der Empfagsbestätigung durch den Käufer wird die digitale Datei vernichtet, so daß garantiert ist, daß keine weiteren Exemplare dieses Werkes existieren und das Werk somit zum ORIGINAL wird.
Related themes
Otto Frühwach, painter and digital artist, often asks himself: “Who is that painting? Am I the one who paints? Or is it someone else who paints through me?” Sometimes it seems to him to be a genius and sometimes a dilettante. That's why he doesn't look for praise or criticism, because he sees himself only as a tool of a creative force.
What interests him is the world that lies behind what is visible to the naked eye. He tries to make this invisible world visible through his images, be it photography or painting.
He sees his painting as a form of photography of the world invisible to the naked eye.
How do all the forms in nature come about? They are created by matter and water, as well as by the factors of pressure, temperature and time.
In his painting, matter and water are water and pigments.
With his special painting technique he imitates the factors of time, pressure and temperature.
And then you still need the essential thing: the creative power, which everyone calls differently, for them it is God.
He doesn't create anything, he just makes visible. The pictures are not his work, he is just a tool. Just as the brush is his instrument, he sees himself as an instrument of something greater.
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Nationality:
GERMANY
- Date of birth : unknown date
- Artistic domains:
- Groups: Contemporary German Artists
