Photogramme d'abeilles ref 010-A Photography by Olivier Perrot

Not For Sale
Certificate of Authenticity included
This artwork appears in 2 collections
  • Original Artwork Photography,
  • Dimensions Height 23.6in, Width 15.8in
Photogramme d'abeille 2016 Tirage 60x40 fine art avec lamination brillante et contrecollage sur dibond 2mm Encadrement cadre noir aluminium nielsen Tirage limité a 10 exemplaires C'est de la photographie sans appareil, oui, des photogrammes comme William Henry Fox Talbot ou Man Ray, mais c'est aussi et surtout, si l'on[...]
Photogramme d'abeille 2016
Tirage 60x40 fine art avec lamination brillante et contrecollage sur dibond 2mm Encadrement cadre noir aluminium nielsen
Tirage limité a 10 exemplaires
C'est de la photographie sans appareil, oui, des photogrammes comme William Henry Fox Talbot ou Man Ray, mais c'est aussi et surtout, si l'on s'en tient au verbe poeïen, de la poésie sans les mots. Une image «à l'état naissant» comme l'oxygène des physiciens. Ces images oxymoriques et facétieuses suggèrent peut-être quelque chose, qu'elles balbutient minutieusement, comme un infini en mouvement, si c'est possible, dont on soupçonne l'existence mais qu'on sait ne pouvoir nommer.
Olivier Perrot Photographe plasticien

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AbeilleBeesPhotogrammeRayogramOlivierperrot

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Olivier Perrot, artist photographer, immersed himself in the world of visual arts after obtaining his license in 1984. That year, he participated in the exhibition "Ten young people, ten questions to photography",[...]

Olivier Perrot, artist photographer, immersed himself in the world of visual arts after obtaining his license in 1984. That year, he participated in the exhibition "Ten young people, ten questions to photography", thus marking his beginnings in the artistic field. Since then, he has had a series of collective and individual exhibitions, exploring artistic research around the representation of the body and the mind.

At the heart of his work, there is an exploration of the theaters of interior and invisible violence, where the body becomes the main protagonist. In this particular exposure, Olivier Perrot captures the irradiated body, crossed, made transparent, while preserving its modesty.

By appropriating the technique of the photogram, which consists of creating photochemical images without a photographic camera, using only light and objects on photographic paper, Olivier Perrot shapes a rich plastic research in series. He lets himself be guided by these series, thus allowing the viewer's gaze to appropriate the forms offered, while risking getting lost in his own doubts.

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