“A Day That Feels Like Peace” (2022) Photography by Oleksandr Ziankovich
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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| 1500 px | ||
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1200 px |
| Dimensions of the file (px) | 1500x1200 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
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Art image bank-
This work is an "Open Edition"
Photography,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Artwork's condition The artwork is in perfect condition
- Categories Outsider Art Everyday Life
A kid in a striped swimsuit takes flight mid-dive, arms outstretched like a little acrobat who hasn’t heard the word “fear” yet. It’s almost absurdly joyful, this frozen moment — like gravity itself took a break to let her fly.
Nearby, a scruffy little dog, half-wet and entirely uninterested, guards the scene. Behind him, a boy stands with that bored, “nothing ever impresses me” stance only kids can pull off.
And honestly, there’s this quiet defiance in it all. The sea doesn’t care about politics, and neither do the waves. People here — they adapt. They endure. They sunbathe, they swim, they laugh because what else can you do when life throws the unimaginable at you?
It’s bittersweet, really. The kind of scene that sticks with you, long after the water dries on your skin.
Related themes
Born and raised in Belarus, now living and working in Ukraine, i am a street photographer dedicated to capturing the rhythm of urban life through candid, thought-provoking imagery.
I discovered street photography in 2017, initially as a way to add more movement to my daily routine. What started as a casual hobby quickly evolved into a profound passion. My primary profession as a computer graphics artist has significantly influenced my photographic work, enhancing appreciation for color, light, and composition. So, my journey into photography began as a natural extension of my background in computer graphics. Working with digital visuals sharpened my eye for color, composition, and contrast, but I soon realized that real life offers its own raw and unpredictable beauty. Street photography became my way of exploring that spontaneity, searching for fleeting moments that tell untold stories.
In 2020, the socio-political events in Belarus profoundly impacted my perspective and work. Initially focused on street photography, I found myself transitioning into photojournalism to document the unfolding events. This shift was not without personal consequences; I faced detentions and experienced the harsh realities of political unrest. These experiences deepened my understanding of the power of visual storytelling and reinforced my commitment to capturing authentic moments.
Due to the increasing pressure from the Belarusian government on independent journalists and photographers, I was forced to leave the country. Seeking new environments and narratives, I relocated to Odesa, Ukraine, in Fabruary 2022. The city’s vibrant culture and complex history have provided rich material for my work. However, the onset of conflict in Ukraine presented unforeseen challenges. Despite the circumstances, I chose to remain in Odesa, aiming to document the resilience and spirit of its people during these trying times. This decision underscores my belief in the role of photographers as witnesses to history, capturing both the beauty and adversity of human experiences.
One of my notable works during this period is the photograph titled “Train to Przemyśl,” depicting a young girl at the Odesa train station holding a pet carrier. This image encapsulates the innocence and vulnerability of those affected by the conflict and has resonated with many for its poignant portrayal of displacement.
Today, I continue to document the subtle complexities of human interactions and cultural landscapes, contributing to the evolving visual narrative of contemporary Ukraine.
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Nationality:
UKRAINE
- Date of birth : 1982
- Artistic domains:
- Groups: Ukrainian Contemporary Artists
