anthropocene nymph (2025) Painting by Oleg Breininger

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  941 px  

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Dimensions of the file (px) 941x1500
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This artwork appears in 5 collections
  • Original Artwork (One Of A Kind) Painting, Oil on Canvas
  • Dimensions Height 61in, Width 41.3in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings from $20,000 Symbolism Landscape
Das "Anthropocene Nymph" zeigt eine faszinierende und surrealistische Szene. Im Vordergrund steht eine Frau, ihr Outfit kontrastiert stark mit der mystischen Umgebung, in der sie sich befindet. Der Hintergrund ist dunkel und geheimnisvoll, was die Atmosphäre des Bildes verstärkt. Die Frau steht in einem Wald, umgeben von rosa Bäumen, deren Stämme eine [...]
Das "Anthropocene Nymph" zeigt eine faszinierende und surrealistische Szene. Im Vordergrund steht eine Frau, ihr Outfit kontrastiert stark mit der mystischen Umgebung, in der sie sich befindet. Der Hintergrund ist dunkel und geheimnisvoll, was die Atmosphäre des Bildes verstärkt. Die Frau steht in einem Wald, umgeben von rosa Bäumen, deren Stämme eine auffällige Farbe haben, die fast magisch wirkt. Ihre Füße stecken in blauen Blumen, die dem Bild eine Verbindung zur Natur betonen.
Der Boden ist mit Schläuchen bedeckt, die in Grautönen und Gelbtönen dargestellt sind. Diese Elemente scheinen sowohl organisch als auch künstlich zu sein und spiele auf die Themen des Anthropozäns an, das den Einfluss des Menschen auf die Natur thematisiert.

Related themes

WaldFrauBäumeMondMystik

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Oleg Breininger is a contemporary German painter. His constant observations revolve around natural areas that bear the marks of human activity. The artist perceives the interventions resulting from human use and [...]

Oleg Breininger is a contemporary German painter. His constant observations revolve around natural areas that bear the marks of human activity. The artist perceives the interventions resulting from human use and their imprints on natural spaces as integral components of nature itself. The boundary between intervention and the inherent natural state becomes blurred.

The limited possibilities inherent in these human interventions also form a significant aspect of his exploration. By visualizing the temporal effects of specific processes, accentuating their effectiveness or exaggeration, highlighting regeneration processes, and examining the maximum impact of interventions, he draws attention to the notion that capacities have finite endurance. This highlights nature's capacity to endure and reflects a positive understanding of its resilience.

Additionally, he delves into the role of humans within this process of utilization. The influence exerted and the consequences borne by humans appear to shape their position, but in reality, they create a dichotomy within their own existence. The artist questions the role of humans in the utilization of nature, inviting contemplation and critical examination.


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