Blue Manuscript (1978) Printmaking by Niki Kanagini

Seller ROMA GALLERY

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
  • Original Artwork (One Of A Kind) Printmaking, Screenprinting / Marker on Paper
  • Dimensions Height 39.4in, Width 27.6in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Printmaking under $20,000
About this artwork: Classification, Techniques & Styles. Marker. Drawing made using a large felt with its own ink source. The ink may or may not be indelible. Technic Printmaking. Printmaking was originally used to communicate. Exceptional technical characteristics make it a valuable artistic medium. The artist creates an image on a flat surface to [...]
Artist represented by ROMA GALLERY
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Niki Kanagini (1933–2008) was a prominent Greek artist known for her vibrant expressionistic style and social critique. She studied at the École Cantonale de Dessin et d’Art Appliqué [...]

Niki Kanagini (1933–2008) was a prominent Greek artist known for her vibrant expressionistic style and social critique. She studied at the École Cantonale de Dessin et d’Art Appliqué in Lausanne (1952-1954), the Athens School of Fine Arts (1954-1958) under notable artists Yannis Moralis and Yannis Kefallinos, and at the London Central School of Arts and Design (1958-1961).

Her teaching career included positions at the Vacalo School (1963-1967), the Technology Applications Centre (1970-1971), and a role as a scientific advisor at the Athens School of Fine Arts (1984-1986). Niki's first solo exhibition was held in Rome in 1962, and her work continued to gain recognition in solo and group exhibitions across Greece and internationally, including at the Alexandria Biennale in 1980 and the Europalia festival in Brussels in 1982.

Kanagini's art, marked by expressive use of color, spanned various mediums, from painting and tapestry to engraving and spatial constructions. Her work often addressed themes of environmental destruction, gender roles, and the status of women, using traditional techniques to deliver a strong social message. Alongside her artistic practice, she also contributed articles and essays to newspapers, magazines, and exhibition catalogues, adding a critical voice to the cultural discourse of her time.

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