Seller Audran
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Usage: Web Licence
| 1500 px | ||
|
1175 px |
| Dimensions of the file (px) | 1500x1175 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Acrylic
/
Ink
on Canvas
- Dimensions Height 13in, Width 16.1in
- Framing This artwork is not framed
- Categories Paintings under $500 Abstract Abstract
(2015, techniques mixtes sur toile)
Dans cette œuvre, j’ai voulu capter une communication hors de notre portée — un échange entre entités étrangères à notre monde, dont les langages, les formes et les perceptions nous échappent. Tout est là : une vibration mystérieuse, presque inaudible, un dialogue qui serpente entre les couches de matière, dans des circonvolutions qu’aucun humain ne saurait traduire.
Le centre de la toile, plus sombre, évoque un noyau de tension ou d’intensité où les messages se croisent, s’annulent, s’enchevêtrent. C’est le cœur de l’échange, mais aussi de l’incompréhension. Les formes périphériques, presque translucides, forment des circuits, des méandres, des tentatives de contact. Il y a là une énergie flottante, comme si les mots ou les idées circulaient dans une autre dimension, non verbale, non humaine.
J’ai travaillé en couches successives, en laissant la matière guider le tracé, parfois en opposition, parfois en fusion. Il y a du silence dans cette toile, mais aussi une tension sourde. Une étrangeté organique aussi — entre cellules et constellations, entre synapses et galaxies.
Mon approche ici se situe à la croisée des influences : je me sens proche de Yves Tanguy pour l’univers biomorphique, presque liquide, et de Max Ernst pour son exploration des formes inconscientes. La texture évoque parfois les empreintes et les frottages. Dans la lenteur du geste, j’ai aussi pensé à Zao Wou-Ki, à cette manière de laisser la forme se dissoudre dans le souffle. Et dans l’aspect presque microscopique du motif, il y a quelque chose de Michaux, un langage de l’intérieur, de l’invisible.
C’est une œuvre sur le malentendu fondamental entre les mondes. Un dialogue sans mots, un langage qui échappe, mais qui persiste à vouloir exister.
From an early age she felt invincibly attracted by the colors of Nature, objects, shapes in their shadows etc.Myriam Audran is a self-taught painter. Myriam Audran born in Sète, she started in 2006 to create a collage that surrounds her with colors based on pigments and water.
Among the artists who have marked and inspired him is Vassily Kandinsky, Franz Marc and Oskar Kokoschka, Emily Carr, who is close to the abstract expressionists, devotes his work to the figure of contrasting color forms in depths and contrasts. in the essence of form and its radiation alone or accompanied. Myriam Audran is the author of paintings whose scattered construction almost built, enjoy the many possible abstract art, figurative material that seems to accommodate the modulation of tones and color, she takes the painting as the l Thirsty for microcosm and macrocosm in perpetual motion. It is for her an ephemeral need expressed by an embrace of colors, multiple or by two three four in shades.
But his work also opens to a figuration to discover. Art is not to reproduce nature, but to speak it by its heart, my works are born for my own expression, that is to say, a free and first individual production. My production is the expression of a will, to speak without the physical word, a liberation to make place in the feelings in the mind in the creation of new matter. When I decide to create a work for a person who asks me, a landscape, an animal, a house, I do it for the pleasure of the person, to express the essence, the model, the expression colors chosen in the solicitation.
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Nationality:
FRANCE
- Date of birth : 1960
- Artistic domains: Works by artists with a certified artist value, Works by professional artists,
- Groups: Certified Artists Professional Artist Contemporary French Artists
