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Yuko Moon 3, day 3 & 4 (2020) Collages by Morvarid K

Collages, 15.8x23.6 in
$3,070.03
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One of a kind
Certificate of Authenticity included
This artwork appears in 9 collections
The fourteen artworks of this series are composed of the same photograph, printed thirty times, superimposed with the physical imprint of the performer Yuko Kaseki. During a full thirty-day lunar cycle, every day, she places one of the prints against her body, from dawn to dusk, letting it record her movements, taking the measure of her physical existence. [...]
The fourteen artworks of this series are composed of the same photograph, printed thirty times, superimposed with the physical imprint of the performer Yuko Kaseki. During a full thirty-day lunar cycle, every day, she places one of the prints against her body, from dawn to dusk, letting it record her movements, taking the measure of her physical existence.
The resulting sculptural work is thus the receptacle of two images. The first is strictly photographic, as the imprint of a memory. The second is corporeal and modifies the first through superimposition, by embodying the imprint of an experience without image.

Related themes

PerformanceIdentity

Conceptual Art Performance Identity
Artist represented by Bigaignon
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Morvarid K Portrait
Morvarid K
France
Artiste plasticienne et performeuse, Morvarid K est née à Téhéran en 1982 et bien qu’elle ait quitté l’Iran relativement tôt, son attachement à l’identité iranienne est fondateur de son rapport au monde et de [...]
Artiste plasticienne et performeuse, Morvarid K est née à Téhéran en 1982 et bien qu’elle ait quitté l’Iran relativement tôt, son attachement à l’identité iranienne est fondateur de son rapport au monde et de sa sensibilité artistique. À travers la manipulation de la matière photographique, son travail questionne notre relation au monde, la mémoire transformatrice et l’entre-deux. Le support photographique est le point de départ, il ancre son travail dans la réalité, tandis que les techniques de superposition et de transformation apportent les expressions supplémentaires que la photographie ne saurait capturer. Le tirage devient un matériau, une étape dans le processus créatif, avant que le geste, ou l’expérience performative ne viennent compléter l’œuvre. La définition que Laurent Derobert, mathématicien existentiel, donne au mot "manque" est au cœur de sa pratique artistique : présence infinie de l’absence.

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