VIVRE AVEC DES ESPOIRS (2008) Printmaking by Miss.Tic

Printmaking on Paper, 29.9x22.1 in
$1,146.21
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MISS.TIC. VIVRE AVEC DES ESPOIRS. 2008. lithographie sur papier BFK Rives. signé(e) et numéroté(e) au crayon. 76 x 56 cm. illustration : 62 x 46 cm. imprimé(e) par : Art Estampe. tirage : 99 ex. en très bon état About this artwork: Classification, Techniques & Styles. Technic Printmaking. Printmaking was originally used to communicate. Exceptional [...]
MISS.TIC
VIVRE AVEC DES ESPOIRS
2008
lithographie sur papier BFK Rives
signé(e) et numéroté(e) au crayon
76 x 56 cm
illustration : 62 x 46 cm
imprimé(e) par : Art Estampe
tirage : 99 ex.
en très bon état
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Artist represented by Midori Prints
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Miss.Tic, born Radhia Novat (1956-2022), was a contemporary French artist celebrated for her distinctive stencils featuring enigmatic, dark-haired women, a poetic presence that graced the streets of Paris for [...]

Miss.Tic, born Radhia Novat (1956-2022), was a contemporary French artist celebrated for her distinctive stencils featuring enigmatic, dark-haired women, a poetic presence that graced the streets of Paris for decades. Her unique artistry merged visual aesthetics with the evocative power of poetry, leaving an indelible mark on the urban art landscape.

Miss.Tic's journey as a street artist began in 1985, setting the stage for her remarkable career. However, her artistic roots reached back to her formative years, nurtured amidst the vibrant punk culture of San Francisco and Los Angeles during the early 1980s. Her time in California exposed her to a milieu of artistic experimentation and alternative expression, which would significantly shape her future work.

Following the end of a personal relationship, Miss.Tic returned to her beloved Paris, where she embarked on her artistic odyssey. Her stenciled designs graced the walls of iconic neighborhoods such as Ménilmontant, Montmartre, le Marais, Montorgueil, and la Butte-aux-Cailles, transforming these urban spaces into a canvas for her creativity. In 1985, she marked a pivotal moment in her career by hosting her first personal exhibition, unveiling her distinct art to a wider audience.

As a visionary artist, Miss.Tic not only conveyed her ideas through her visual creations but also through a rich tapestry of poems and wordplay. Her words became an integral part of her artistic expression, further enriching her stenciled women with layers of meaning and symbolism.

In 1985, Miss.Tic played a pivotal role in the burgeoning graffiti and urban art movement when she participated in the first-ever meeting held in Bondy, France, orchestrated by the VLP. Alongside fellow artists like Speedy Graphito, Kim Prisu, and Blek le Rat, she contributed to the development of an art form that would continue to captivate and challenge the norms of contemporary art.

Miss.Tic's influence transcended the streets of Paris, as her art became a symbol of empowerment and creative expression. Her work inspired a series of stamps issued in March 2011 to commemorate International Women's Day, underscoring the lasting impact of her stencils and poetry on the broader cultural landscape.

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Printmaking titled "TROP HEUREUSE POUR…" by Miss.Tic, Original Artwork, Lithography
Printmaking on Paper | 29.9x22.1 in
$1,146.21

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