Seller Michèle Wilhelm
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1252 px | ||
|
1500 px |
| Dimensions of the file (px) | 1252x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
Download immediately upon purchase
This image is available for download with a licence: you can download them at anytime.
Restrictions
All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
Original Artwork (One Of A Kind)
Painting,
Acrylic
on Canvas
- Dimensions Height 50.4in, Width 41.3in
- Framing This artwork is not framed
“…the symphonies of colors of Michèle Wilhelm are not prisoners of the description and the theatrical illusion of things. It is nowhere a news item on canvas.
Like William Turner, Michèle Wilhelm took the step from a painted theme to purely intuitive composition and intellectual where color succeeds in overcoming conventional forms and covers them. With her too, the omnipresent light is the one and only content of the painting.
On the other hand and because most of the paintings are built around active color and calling when traveling, yellow, it is with the spirit of the carrier pigeon that we will best set off to discover the territories of his works.
Pigeons use in effect the yellow color of the sun as the only compass for their journey; and more than by the topographical representation of landscapes and cities, it is by the play of light that they are guided, conditioned. Everything that is recognizable is forgotten because travelling or painting air and light becomes rediscovering a prefixed destination, in the intimacy, in the atmosphere and the dream of the mirror-picture-tint...”
< p>“The adventure, the celebration of travel begins at first sight. Then the architecture bursts under the stubborn and muscular "paw" of the artist.We feel inhabited by this light that it has captured.
Roger de Neef
Training: a master's degree in psychopedagogy, Research & Development in adult training, 9 years of painting and drawing on a live model in 3 academies with staggered hours (Watermael-Boitsfort, Leeuw-Saint-Pierre, Charleroi).
The link between R&D and the painting is woven around the consideration of uncertainty. Uncertainty in the approach to systems, to human beings, to painting. Respect for intuition and the construction of the canvas around "what appears", around "what makes sense".
For the painter, it is a question of defining a device that allows "the irruption of chance in the elaboration of the painting" (Monique Frydman). The canvas presents a predefined surface that serves as a framework and limit to an open system that will move and evolve. Values, colors, shapes interact and organize themselves until they present a composition, a system that makes sense to me, a living universe.
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Nationality:
BELGIUM
- Date of birth : 1950
- Artistic domains:
- Groups: Contemporary Belgian Artists
