Lampe Grande Caserolle (2021) Design by Michel Gomez

Design, 16.9x9.8 in
$537.2
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This artwork appears in 1 collections
Lampe de bureau, style Vintage. Le socle est une pièce de voiture. About this artwork: Classification, Techniques & Styles. Aluminium. Sculpture technique using aluminium, the most malleable metal with a silvery appearance. Metals. Sculpture technique using metal, generally malleable, ductile and light-reflecting material. Technic Design. Design or [...]
Lampe de bureau, style Vintage. Le socle est une pièce de voiture.
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Michel Gomez est artiste polivaillant comme il aime à se définir. Ayant plusieurs cordes à son art, acteur, metteur en scène, musicien et décorateur en autres. Sculpteur autodidacte, il bidouille aussi les matériaux [...]

Michel Gomez est artiste polivaillant comme il aime à se définir. Ayant plusieurs cordes à son art, acteur, metteur en scène, musicien et décorateur en autres.
Sculpteur autodidacte, il bidouille aussi les matériaux d’une façon expérimentale, privilégiant le recyclage.

Il travaille avec de nombreux publics et affectionne particulièrement les acteurs handicapés d’Adapéi ou de C.A.T avec lesquels il expérimente des recherches sur le rythme et le langage du corps. Il approfondit les techniques et la rhétorique avec le Théâtre Forum, avec des adolescents apprentis et des auxiliaires de vie.

Il considère que le schéma institutionnel de la culture ou des arts ne convient pas à tous les publics. Il pense qu’il existe d’autres alternatives d’éducation et entreprend d’autres démarches.

C’est grâce à cette passion pour le théâtre, où il considère qu’à sa manière il défend la condition humaine, qu’il glisse dans les compositions sculpturales. Comme le directeur d’acteur cultive une relation privilégiée avec ses acteurs, comme le metteur en scène propose les postures à ses comédiens. Comme l’auteur invente ses protagonistes.

Il apprécie l’impressionnisme de Turner, l’abstraction de Moore, l’univers de Dali, l’éclectisme de Picasso et le coté enfantin de Miro à qui il fait un clin d’oeil en adoptant Migo comme nom de sculpteur.

Migo souhaite être à la sculpture ce que Michel Gomez est au théâtre.
Une continuité on pourrait dire.
Pour mettre au monde des jours meilleurs.
Pour être de la couleur de ceux que l’on persécute.

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