extra-large-contemporary-wall-07-omineuos (2024) Digital Arts by Michael Konradi

Fine art paper, 8x8 in

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  1500 px  

1500 px
Dimensions of the file (px) 1500x1500
Use worldwide Yes
Use on multi-support Yes
Use on any type of media Yes
Right of reselling No
Max number of prints 0 (Zero)
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  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • AI generated image The artist created this image leveraging Artificial Intelligence technology
  • Categories Expressionism Abstract
Diese konzentrische Anordnung der Farben und Formen, die von einem zentralen Punkt ausstrahlen, könnte als eine Art visueller Explosion oder eine organische Darstellung eines Blumenblüte interpretiert werden. Jede Linie und jede Farbnuance scheint sorgfältig platziert, um den Eindruck von Bewegung und Energie zu verstärken, was den Betrachter sowohl [...]
Diese konzentrische Anordnung der Farben und Formen, die von einem zentralen Punkt ausstrahlen, könnte als eine Art visueller Explosion oder eine organische Darstellung eines Blumenblüte interpretiert werden. Jede Linie und jede Farbnuance scheint sorgfältig platziert, um den Eindruck von Bewegung und Energie zu verstärken, was den Betrachter sowohl visuell als auch emotional anspricht. Die Art und Weise, wie die Farben ineinander übergehen, vermittelt Dynamik und kann Gefühle von Wachstum und Lebenskraft hervorrufen.

Die Struktur und Textur des Werks sind so detailliert, dass sie den Eindruck erwecken, als könnten sie bei Berührung spürbare Empfindungen hervorrufen. Dieses Kunstwerk könnte in einem Kontext gesehen werden, der sowohl die Schönheit der Natur als auch die Komplexität menschlicher Emotionen erforscht.

Related themes

Digitale KunstAbstrakter ExpressionismusVisuelle ExplosionFarbdynamikBewegung

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Born in Heiligenstadt in 1981, I grew up in a time that had a lasting impact on my perspective on the world and art. My artistic approach is driven less by a fixed plan than by a deep-rooted, playful curiosity. [...]

Born in Heiligenstadt in 1981, I grew up in a time that had a lasting impact on my perspective on the world and art. My artistic approach is driven less by a fixed plan than by a deep-rooted, playful curiosity. You could compare my approach to that of a child who delves into a Lego construction set completely freely and without expectations. I rarely start with a specific vision or finished image in my head.

Instead, I let the creation process itself guide me. Every brush stroke, every layer of paint applied, every evolving shape inspires the next step. It is a dynamic dialogue between me and the canvas, an organic growth in which I allow myself to be guided from moment to moment by what I have created so far. This also means that at the beginning I rarely know exactly where the journey will lead and what the final work will look like. For me, the fascination lies in the unpredictability, in discovering while doing something.

This way of working can perhaps be compared to carving a small, hand-sized wooden figure: to achieve this delicate result, you often have to, metaphorically speaking, work on a huge block and remove an enormous amount of material, "shavings". A lot is created along the way, a lot is tried out and rejected until something emerges that feels harmonious and special. This playful, process-oriented freedom is the core of my artistic practice.

 

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